Fritzi

The Place
Fritzi
814 Traction Avenue
Los Angeles, CA 90013

image

I remember when Give Up by the Postal Service came out.  I was a sophomore in high school.  It was before winter formal.  That particular winter formal was to be a rare triumph for me in the romance department.  I took one of the prettiest and most popular girls in the freshman class.  Unfortunately, as it turned out 1) I wasn’t very attractive (please indulge my optimistic use of the past tense), 2) she was out of my league, 3) I’m inveterately and painfully awkward, and 4) teenagers are a heartless sort.

The result: she bolted as soon as we arrived, and spent the entire evening with confident, attractive junior alpha males who played sports and got bad grades.  Meanwhile, I, the archetypal beta male, sat on a bench staring into a swimming pool, waiting for high school to end, and playing various tracks from Give Up in my head to pass the time. This admittedly depressing scene was interrupted when I was rescued by my friend David and his date Sara (incidentally, about halfway through “Clark Gable”).

I still wonder why that album came into my head, especially considering my tortured relationship with it.  I hated to like Give Up.  See, some Death Cab for Cutie fans were nervous when Give Up dropped (these were the Sub Pop days, when Death Cab fans were less numerous and more proprietary than today’s breed).  Publicly, we worried side projects portend artistic restlessness, or worse, stagnation, that they threaten to reveal a beloved artist reduced to repackaging old ideas instead of presenting new ones.

Privately though, we’d admit that our real issue wasn’t artistic; it was that side projects have the whiff of infidelity.  Death Cab fans liked to envision Ben Gibbard poring over ragged spiral notebooks scribbling the lyrics to the next “A Lack Of Color,” not seeking new modes of expression.  Him having another band felt like a betrayal.

What an odd feeling. It’s not as if I didn’t love Ben Gibbard just because Give Up came out.  It’s just that the release of Give Up made me face all facets of that love, even the ugly ones: affection, loyalty, fear (of change and of loss), comfort, complacency, possessiveness, jealousy.  The only thing more frightening than watching someone you love change is the prospect of getting left behind somewhere along the way.  So I listened, with layered trepidation.

I find these feelings have survived in me, and they resurfaced again recently when Neal Fraser diverted his attention from Redbird to give Fritzi the full sit-down restaurant treatment.  When Fritzi became something more than a whimsical pop-up or a window at Arts District Brewing, that familiar proprietary jealousy, that envious dogma of mine, was impossible to escape, even though culinary side projects often work out just fine.

The Order: Fritzi Burger

The Price: $11.50

The Burger
Maybe you’ve never heard of Fritzi.  It would be hard to fault you, actually.  It first surfaced as a pop-up, then soft-opened as a practically nameless take-out window nestled in a corner of Arts District Brewing, where everyone from the merely buzzed to the blacked out could partake in some high-class, high-carb hangover prophylaxis.  The only signage to speak of was a large marquee above the window that glowingly admonished all passers-by: “DON’T FORGET TO EAT.”

By the time Fritzi actually opened a dining room directly next door to Arts District Brewing (serviced by the same kitchen as the take-out window; the two spaces are less adjacent than they are interlocked), it would have been easy to not notice.  There was almost no fanfare; besides, we’d been eating off that menu for months.

But Fritzi commands attention.  It is the brainchild of Neal Fraser, who ranks among the most deadly serious chefs in the city.  The fare is fast-food inspired and fundamentally uncomplicated.With quintessentially Arts District pretentiousness (i.e., trying far too hard to project a laid-back, industrial Bohemian charm), Fritzi will tell you they serve “artisanal nosh.”  That means no of-the-moment crudo, no robust and hearty braised goat gemelli, and – sadly – no peri-eponymous (I can’t resist making the epunymous joke) tray of veal.

Nothing here is a signature dish.  This is an off-duty project, a glimpse at what Neal Fraser might make at a cookout – nothing too high-minded…but, well, he’s still Neal Fraser.  As such, expect sophisticated, subtly reimagined classics.

The Fritzi Burger is, for lack of a better term, so Fraser.  Each component of the conventional burger is rethought, elevated.  This burger offers a hybrid patty (Nueske bacon and beef) that is given ample (viz., nine hours) sous vide time; a generous smear of Fontina fondue which offers a gooey, honeyed nuttiness; a sweet Calabrese relish with a whisperingly slow-hot finish; a fresh salve of mild thousand island; and iceberg lettuce to add cooling textural contrast.

The patty is a masterstroke, a subtle, intensely flavorful execution of an idea that sounds excellent in theory but often is butchered grotesquely in practice.  The Nueske bacon imparts a smoky, marbled dimension to the beef, evoking the faintest thoughts of a Texan barbecue pit.  The fondue creates a sumptuous, almost silken coating around the patty, mild and comforting.  Both sauces are excellent, and work well enough in concert with one another.  They offer a few redundant notes, but ultimately elevate the entire experience.  I was glad for the lettuce, if only because it offered a bit of complexity in a burger that otherwise verges on textural monotony.

While Fraser excels in reimagining individual ingredients, he sometimes almost loses sight of the forest for the trees.  It’s fine to reshape each piece of a puzzle, especially if you improve each one; but change them enough, and they won’t fit together.

In the case of the Fritzi Burger, that’s just a distant threat – this burger hangs together well, never veering into incoherence.  But it also is a mildly unsettling dish, because – as a whole – it doesn’t always feel completely intentional.  But existential niggling aside, this burger is stellar, not to be missed, and yet another shining example in a litany of Neal Fraser’s innovative genius.

Ultimately, no matter how rabid a Death Cab fan I was, I listened to Give Up.  I couldn’t help myself.  In my more honest moments, I recognize it as a superior product to solidly (maybe conservatively) 85% of Death Cab for Cutie’s oeuvre.  But even short of that admission, I know I put aside my feelings of betrayal on behalf of Gibbard’s bandmates because I wanted to understand what was compelling enough to divert his creative focus.  I didn’t really listen because I wanted to.  I listened because I had to.

So if you felt similar vicarious betrayal when Chef Fraser took time away from Redbird to launch Fritzi, you probably also feel a similar morbid curiosity regarding what Fritzi is all about.  Succumb to it.  This burger may not be better than 85% of the menu at Redbird, but it is too good to be missed owing to proprietary hipster envy.

The Ratings:
Flavor: 9.60 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 9.00 / 10.00
Efficiency: 8.40 / 10.00
Creativity/Style: 10.00 / 10.00
Bun: 8.40 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.10 / 10.00
Sauce: 8.70 / 10.00
Balance: 8.90 / 10.00

Total: 91.10 / 100.00

Petit Trois

The Place
Petit Trois
718 North Highland Avenue
Los Angeles, CA 90038

image
I was talking to my friend Peter last week about Petit Trois.  He went there with his wife recently, and ordered the omelette.  I’m not sure Peter is an omelette connoisseur, but he certainly is an educated enthusiast.  Anyway after a few bites of their omelette – a facially pedestrian offering with nothing more Boursin (yes, from the box) pepper cheese and a dusting of chives  – his wife asked if it was the best omelette he’s ever had.  “No,” he replied, “it’s the first omelette I’ve ever had.”

That’s what makes Ludo Lefebvre special.  His strength is not so much in wildly innovative concepts (though one trip to Trois Mec will show you he’s no slouch in that regard), but rather in expression.  Whatever the concept, from veal belly with crispy artichoke on down to a double cheeseburger, Lefebvre cannot be matched in execution.  Each dish is prepared with such skill and care, that his food has the potential to transcend quality and establish itself in your mind as an archetype of what a certain dish should be like.

Ludo Lefebvre is the rare chef who can make a simple dish feel definitional.  Not every dish achieves it, but when one does, you feel it, and to describe it is really just to speak normatively about how every dish of that kind ought to taste.  I’ll stop short of saying that his best offerings are infused with the intent of the divine, but the thought occurred to me.

The Order: Big Mec

The Price: $18

The Burger
Even if the name Petit Trois isn’t immediately familiar to you, you likely know more about it than you realize.  It’s the daughter restaurant of Trois Mec, at which reservations are famously difficult to secure, but which offers among the finest tasting menus in the city.  Petit Trois, then is an approximately Le Comptoir-sized appendage to its venerable – albeit only marginally larger – parent.  Though the restaurants have markedly different personalities, they share more than a wall; they have a common creative nucleus: Ludo Lefebvre teams with Los Angeles culinary power pair Jon Shook and Vinny Dotolo (the minds behind Animal, Son of a Gun, and Jon & Vinny’s) on these two gems tucked away in a strip mall behind a gas station.  Don’t let the understated location fool you, though – this part of mid-city is a culinary hotspot.  Just across the street is the mighty, higher-profile Mozzaplex, where Nancy Silverton et. al. have been slinging really important food for decades.

Roughly speaking, Petit Trois is a French lunch counter.  Reservations are not accepted, and the menu is a cheesy, framed and laminated piece of printer paper.  They serve comfort food which oozes with nostalgic sentimentality (for instance, every Sunday, Ludo Lefebvre – continuing a family tradition – does a chicken roast, where a half chicken is offered atop mirepoix, a bed of rough-cut vegetables redolent of a French country table).  The dishes are, in concept, often childishly simple.  Confit-fried chicken with bitter-cool frisée.  The aforementioned omelette has a flavor profile simple enough not to overwhelm my five year-old niece, but a subtle, buttery complexity that would floor just about anyone.

The cheeseburger is similar.  The name is a tip of the cap to an iconic – though hardly estimable – progenitor, and the inspiration, weirdly enough, is discernible.  The Big Mec is a double cheeseburger featuring two patties, Tillamook cheddar, all utterly drenched in Russian mayonnaise and house-made bordelaise sauce jammed between two brioche buns.  This burger is a study in messy decadence.  It bleeds sauce over its edges like a fountain.  The bottom bun is coated with the two sauces but somehow not soggy, and incredibly, never even threatens disintegration.

The concept here is to unify simplicity and excess.  At first blush, that might seem paradoxical, but it works in practice.  This burger is decadent without being overwrought.  It takes simple ideas and presents them in a maximalist fashion.  It is the culinary equivalent of “Untitled,” the first song off Interpol’s debut, Turn On the Bright Lights.  In that song, Paul Banks repeatedly intones the promissory phrase, “I will surprise you sometime, I’ll come around,” amid a swirling, sparkling, ever-rising torrent of Stratocaster.  There isn’t much to it; but it’s arresting because the same idea, the same brief, haunting, beautiful motif, is pounded into your head so many times.  That approach informs this dish as well.  Of course, the concept would be nothing without execution.  The Big Mec is executed masterfully.

The cheese is perfectly melted but still decidedly solid – it has heft and mass.  And it’s Tillamook, so it’s approachable: sharp and flavorful without being too overpowering.  The patties are stellar, massive things.  Charred on the outside, pink on the inside, irrepressibly juicy and thick.  They absorb only some of the ocean of sauce, but it’s enough to subtly change the flavor of the meat.

At bottom, this burger is about the sauces.  And really, it’s about the bordelaise.  The Russian mayonnaise is piquant, fresh, and just creamy enough, but it is utterly overshadowed by its companion.  The bordelaise at Petit Trois is made with red wine and veal stock and mounted with foie gras (usually, the mount is butter).  It is astounding.  It teeters on the boundary between boozy and acidic, like wine a few atoms away from oxidation.  But it is given shape, depth, and balance by the foie gras mount.  In the end, everything about it feels decadently intentional.  It is the most challenging, but also the most comforting, bordelaise you’ll likely ever taste.  It is smooth but also sharp, mellow but also bright.  It is also just about omnipresent in this burger…and you’ll still want more.  It also creates a beautiful, natural mash-up with the Russian mayonnaise – so natural, in fact, that the sauces feel more coextensive than cooperative.

You’ll ravenously devour this plate of food.  Your hands and teeth will drip with oxblood bordelaise and Russian mayonnaise the color of cooked salmon.  You will do violence to this burger.  The taste of the sauces will linger in your mouth long after you finish.  You will be exhausted, you will be panting.  You will look down at the plate, full to the gills, and you will ache for more.  You’ll see the pool of what’s left of the two sauces, intermixed, looking like a Woolnaugh endpaper, and you’ll wish it wasn’t over.

This is a cheeseburger.  Other things we previously might have known as cheeseburgers do not deserve the privilege of sharing a categorical identity with this dish.  It is the archetypal burger:  comforting, rich, indulgent, decadent, massive, messy, meaty, subtle, warming, unpretentious but refined, accessible, filling, and utterly delicious.

Make no mistake: This is as indispensable an eating experience as the critically acclaimed tasting menu across the wall.  If you have not yet eaten this cheeseburger, it may well be argued that you have never eaten a cheeseburger at all.  The Big Mec at Petit Trois is nothing short of a masterpiece.  Drive quickly, order quickly, but eat slowly.  After all, this will be your first cheeseburger – you should savor it.

The Ratings
Flavor: 10.00 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 8.40 / 10.00
Efficiency: 9.80 / 10.00
Creativity/Style: 8.90 / 10.00
Bun: 9.90 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.70 / 10.00
Sauce: 10.00 / 10.00
Balance: 10.00 / 10.00

Total: 95.70 / 100.00

Sunny Spot

IMG_1458
The 405 freeway is maybe best described as a piece of hell that Los Angeles chose to annex in 1964.  It (along with bananas-high taxes) is the price we pay for living in a sun-soaked paradise: a throbbing vein of gridlock, on which – at the best of hours – brake lights pulse rhythmically.  Quite often though, it’s worse, and the string of red lights in front of you looks like a fluorescent snake if you squint.

For those who live in Los Angeles, the 405 is a conversation piece.  When I meet friends for a meal in Santa Monica or Venice, inevitably I will describe to them either a) what a tragedy the 405 is today, or b) how I skillfully, creatively managed to circumvent the 405.  These topics are staples of the conversational diet in this town.  And they make us an easy target.

I recently spent a Saturday morning – and part of the afternoon – on the 405, driving to brunch at Sunny Spot.  My interminable journey through the gridlock (which, in familiarly epic largesse, spilled indulgently back onto the 101) found me listening to Loveless on repeat and texting my friend Bret with my car in park (and just to completely embody the stereotype, I’ll share that I was between Getty Center and Sunset – nightmare).

Unless you live on the west side, you’ll have to endure some version of this drive to get to Sunny Spot.  When you arrive, you’ll find a classically Venice exercise: peeling turquoise paint on which the name of the restaurant boldly is emblazoned in coral-colored cursive (think the colors of the key at the San Antonio Spurs’ arena circa 2000), a meticulously curated shabby-chic beachside dive aesthetic.  It tries hard not to try hard.

You’ll likely have lost your reservation by the time you arrive (assuming you had the foresight and misplaced optimism to make one).  So you’ll have to wait among aspirant screenwriters and armchair critics; almost impressively basic young women with protein powder-dusted boyfriends following close behind; post-surf stoners, desperately hungry and wondering why they hath forsaken Taco Bell.

It goes without saying that a tiny proportion of guests will be talking to one another.  After all, to our generation, a meal with friends merely means sitting at a table with other people who are also glued to their Instagram feed.  True to form, you’ll see the patrons of the restaurant being alone together, side-by-side but absorbed in Pokémon Go or composing sarcastic YouTube comments or adding this “memory” to their Snapchat story or whatever the intimacy-killer du jour is.

You’ll try and push this depressing portrait of collaborative loneliness out of your head.  You’ll get a greyhound from one of the surprisingly attentive bartenders (you won’t get a Bloody Mary, because they aren’t fantastic here, and you won’t get a mimosa because mimosas are sort of silly).  You’ll steep in the charming, faux-rustic atmosphere of the place, the loose and warm summer shade.  If you’re the type, you’ll lovingly muss your hair and frame a selfie or two.  You’ll wait longer than you should for a table, and do your best not to wonder if it would be easier to get a table at Providence than here.  Then you’ll remember that you should relax; it’s the weekend, and the weekend was made for wasting time.

The Order: Double Cheeseburger

The Price: $15

The Burger
The reason I bring up the 405 and the whole look of Sunny Spot is because I have to talk about them to talk about this burger.

The 405 is not just a freeway.  Well, on the surface it is.  It’s a few lanes arranged in a predetermined path, peppered by ramps every few miles.  But dig deeper, think harder, and you might be surprised with what you realize.  The 405 forces us to confront the ironic truth that, to get somewhere, we have to accept going nowhere for a while.  It wrenches us from the stupefying, swipe-right torrent of instant and meaningless gratification that occupies so much of our time and thought.  It pulls us away from the relentlessly interconnected world and makes us confront our own thoughts.  It demands the one thing so many in this generation lack: patience.

My point is that the 405 isn’t what it seems on the surface, and if you think about it in the right way, you can understand how sitting in traffic actually is a blessing, an opportunity for growth and reflection that has become vanishingly rare as our world becomes a giant touchscreen.  At the very least, it can show you that often times, there’s more to things than what you might see from a cursory look.

Sunny Spot is sort of like the 405 in that way.  If you weren’t looking all that hard, you’d see a beachy Venice restaurant with a gregarious color scheme.  You might miss the subtleties at play here.  Their brunch menu features standard items with haute tweaks.  Grana Padano in an otherwise unremarkable chop salad.  Crisp chicharron on the Cuban pork sandwich.  A sunny egg on the BLTA.

This is a place that quite clearly is trying to give you what you want in a way that’s better than you wanted.  They want to blend the familiar with the high-level.  It’s not just a beachside shack; it’s a place that is dedicated to the marked – if incremental – heightening of tastes.  This is admirable, and an especially tall order when your target audience is so often obsessed with the banal and unchallenging.

What I’m trying to get at here is the (weird, semantic) distinction between being complicated and being complex.  The 405 is complicated because it introduces logistical uncertainty in my life.  Because there are so many damn cars on it, I’m late for any plans that involve me taking the 405.  But the 405 is complex because it makes me feel something every time I’m on it, and exploring those feelings makes me think more deeply and more critically about the world around me and my interaction with it.

Sunny Spot itself is uncomplicated – it’s a simple enough formula of beautiful, precisely disheveled people and a milieu to match; but it’s complex because it seems to be at least attempting to subvert and refine the unsophisticated impulses of the very clientele to which the place – at least aesthetically – caters by subtly altering the familiar.

How does this distinction apply to burgers?  Well, it’s easy to make a burger complicated by fettering it with a slew of features.  But complexity isn’t about the number of variables in play; it’s about the depth of interaction between those variables, and it’s really about the way the thing makes you feel, what it arouses in you when you take a bite.  Sunny Spot rejects being complicated in hopes that it might achieve subtle complexity.

In eschewing all the traditional trappings, Sunny Spot is trying to challenge your preconceptions of what is indispensable on a burger.  Lettuce, tomato, ketchup: these are distractions.  Sunny Spot presents a burger with a spare flavor profile.  By reducing the number of ingredients, the goal seems to be to heighten subtle interactions rather than presenting an amalgam of various flavors.

This burger places two hefty patties smeared with American cheese front and center.  This centerpiece is rounded out with dijonnaise, pickles, and caramelized onions, all of which is sandwiched between two brioche buns.  Note that this hits every one of the basic taste triggers: sour (pickles), sweet (dijonnaise and onions), bitter (onions), salty (beef), and umami (beef and cheese).  This burger touches all the bases without giving too much of anything.

The good news is that this burger is efficiently conceived and executed.  It’s a competent exercise in lean construction.  But that’s all it is: just craft.  This burger clearly wants the diner to do the work of figuring out how these flavors are put together.  That doesn’t stop it from being good.  But it precludes greatness.

A great burger will give you a window into the mind of the person who made it.  It might even arouse memories, feelings, thoughts.  It will show you something or make you feel something.  The best food isn’t that which you can appreciate as a well-formed study in culinary craft.  It’s the food that enriches you somehow, connects with you individually, feels like it was made for you.  This burger will mean the same thing to everyone who eats it.  Few will abhor it, none will yearn for it once it’s gone.  It’s a pleasant, but eminently duplicable, experience.  As far as it goes, it’s great.  The problem is that it just doesn’t go all that far.

In this case, the distinction between complicated and complex is purely academic.  This burger is neither.  Relatively few ingredients interact in predictable, uninspired ways.  The beef and cheese overwhelm the flavor profile.  The brioche is a touch dry.  The dijonnaise and pickles are barely perceptible, so any subtle interaction between them is a whisper in a thunderstorm.  The onions are unevenly distributed on the patty, providing pockets of soupy bittersweetness.  None of this is offensive – in fact, the toppings themselves (especially the dijonnaise, oddly enough) are all quite good – but the ingredients simply stand side by side without ever cohering.  This is an orchestra tuning, not playing a symphony: the talent may be there, but the real show hasn’t started yet.

This burger was not made for you.  It was made for everyone.  It is always correct but never remarkable.  It will be good to everyone and great to no one.  Fairly, you may not care about the fine-grain distinctions between complicated and complex.  In that case, know this: you will neither regret ordering this burger nor crave it again.  But it won’t make you feel anything.  And it certainly won’t make you forget that drive.

The Ratings
Flavor: 8.20 / 10.00
Freshness/Quality: 9.20 / 10.00
Value: 7.10 / 10.00
Efficiency: 5.20 / 10.00
Creatvity/Style: 7.80 / 10.00
Bun: 7.80 / 10.00
Patty: 8.90 / 10.00
Toppings: 8.70 / 10.00
Sauce: 9.00 / 10.00
Balance: 7.30 / 10.00

Total: 79.20 / 100.00

Redbird

IMG_1334
I think about judgment day a lot.  Call it the end of the world, or the apocalypse, or whatever you want.  I think about it.  I think about when fire and brimstone rain down heavy and hot from skies that split like the seam of a too-small blazer.  When it turns out the Old Testament was right.  When God gets sick of all our shit and exacts vengeance on us for our innumerable sins.  When we all find out that we were fools to be cynical and supercilious.  When the joke, as it happens, was on us all along.  When it doesn’t matter whether we’ve found God, because he finds us.  When it doesn’t matter what we believe.  When nothing matters but the lives we’ve led.

When that day of reckoning comes, I hope I’m sitting at Redbird with the tar-black summer sky above me, a meal settling, the cold sting of a scotch and sherry cocktail lingering on my lips, waiting for my pavlova to arrive.  That’s not because Redbird is the best restaurant in this city, or even the fanciest.  It’s not because Neal Fraser is the best chef in the city (though he must be in any conversation on the topic).  But I can’t think of a better place to face the apocalypse (leaving aside the delicious irony of being condemned to an eternity alongside Dante’s most wanted while sitting in a repurposed rectory).

See, when it all ends, I want to be somewhere beautiful, and I want to be doing something delightful.  Redbird is the most beautiful place to eat in Los Angeles.  Bar none.  It also is one of the ten best restaurants in this city.  Its décor is as eclectic as its menu, which in turn is as eclectic as Los Angeles.  Fraser presents crudo with bright wedges of citrus and an adobe-red dusting of peppery togarashi; delicate, crisped slabs of Wyoming trout; a symphonic barbecued tofu (which, by the way, is dream-hauntingly good – better even than Sang Yoon’s resplendent chicory-coffee barbecue sauce-bathed Kurobuta pork ribs at Lukshon – whether or not you like tofu).  And he presents them all with such easy familiarity that you’ll forget how weird it is to find them all on the same menu.  Just like Los Angeles, in which so many different cultures and kinds live side by side.  It’s curated chaos, but to those of us who have been fortunate enough to really come to know it, its splendor is difficult to match.  The perfect place to watch it all end.

Wednesday was not the apocalypse, so Bret and I settled for lunch at Redbird.  It’s a perfect option for those who ache for a longer intermissio from the raw grind of the work day.  Fraser offers a slightly abbreviated version of his menu, including a prix fixe for the indecisive and slightly profligate, and a burger for … well, not least for the man who writes about burgers.

The Order: Prime Burger

The Price: $18

The Burger
This might be the burger for the end times.  See, if you happen to be jonesing for a burger when the fabric of the earth falls away and reveals the roiling inferno that lies behind it all, you won’t have time to let the marrow melt, or caramelize the onions, or pull any other high-cuisine moves.  You’ll have time to throw together a few ingredients – whatever is at hand – into the last burger you’ll ever eat.  Now, having said that, it’s the last burger you’ll ever eat.  And you’ll be damned if you’ll let it be pedestrian.  Even at the end of the world, you’ll have to compromise, to balance countervailing interests.

The Prime Burger at Redbird manages that. It is spartan in an indulgent kind of way, deceptively complex, intensely flavorful but stripped of pretense and unnecessary ornamentation.  This feels like the burger chefs will make when there is no one left to cook for.  If Howard Roark spent his life behind a grill instead of a drafting table, he would have aspired to create this burger.  It is the product of passion and craft.  Every ingredient serves a purpose.  Nothing is out of place.  The fact that it’s a crowd-pleaser?  That’s merely an externality.

The patty is pure Fraser: massive, marbled, loosely packed, pink and bloody.  It might be overwhelming, I guess, were it executed with anything less than perfect mastery.  But this is Neal Fraser, so it’s executed with nothing less than perfect mastery.  The remoulade is piquant, tart, and generously portioned (and why not?  You’ll want an extra scoop of sauce when the apocalypse is impending).  This sauce is a beautiful, rich, indulgent complement to the sumptuous, almost buttery, beef.  Aged cheddar drips like sap, so slowly that it forms an amorphous tendon that seems to connect patty to plate.  It’s creamy and thick, with a distant whispering sharpness.  There is a chile relish that adds a smoky sweetness (but almost no heat), and extra pickles to add more zip if you want them.

The bun is the burger’s weakest part.  A too-dry, too-thick brioche, it tasted a day old and was a bit too imposing for this burger.  The dryness of the thing wasn’t helped by the fact that it was flaked with sea salt.  It’s a noticeable imperfection, but the rest of the flavors are bold enough to compensate for it.  In the end, the burger hangs together impressively well in spite of a disappointing bun.  Besides, when judgment day comes, you probably won’t be too picky about the bun on your burger.

In case it isn’t abundantly clear, I liked this burger very much.  It’s big and brash, but is ultimately memorable for its relative simplicity.  It’s a really well-prepared, thoughtful offering.  It manages to achieve simultaneously simplicity and complexity, boldness and subtlety, immediacy and depth.  It’s a great burger.  Don’t wait until the end of the world to try it.

The Ratings
Flavor: 9.30 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 7.90 / 10.00
Efficiency: 8.70 / 10.00
Creativity/Style: 8.30 / 10.00
Bun: 6.80 / 10.00
Patty: 10.00 / 10.00
Toppings: 9.00 / 10.00
Sauce: 8.90 / 10.00
Balance: 9.30 / 10.00

Total: 88.20 / 100.00

Bottega Louie

The Place
Bottega Louie
700 South Grand Avenue
Los Angeles, CA 90017
Screen Shot 2015-10-29 at 10.19.12 PM
Bottega Louie is utterly insane. For being in the middle of a just-okay section of Downtown (which, in spite of its current nascent renaissance, remains a just-okay enclave of Los Angeles), it’s so unbelievably scene, it almost defies belief. The quotient of Kim Kardashian wannabes is nothing short of astonishingly high. Over-conditioned bistre hair pulled back into impossibly tight ponytails that shine like dying stars. Designer dresses hug implausible bodily curvatures that veer out of the realm of sexual allure and wind up firmly ensconced in the realm of the creepily artificial. Plunging necklines reveal silicone fjords. Impossibly sour faces are caked in makeup that, by all appearances, was applied by their friend who just got fired from Sephora or something. Scythelike vermillion fingernails scrape against smartphone screens framing selfies.

So yeah. Bottega Louie kills it as far as atmosphere is concerned.

Seriously, what an odd mix of people. I wonder where they all come from. It’s not just people trying to pass as Kardashian cousins. It’s families. Elderly couples. Girls’ nights. Bros. And even a few dates. And the cohort of which I was a member – a group of newly minted lawyers fresh off our first day of work. Yes, this eclectic clientele truly is what parties are made of.

The Order: Hamburger (Wagyu, Bibb lettuce, Brandywine tomato, red onion, aioli; cheese added)

The Price: $16.00

The Burger
IMG_0565
I’ll admit it. I wanted the meatball sliders. So you might rightly aver that my heart wasn’t quite in this one. Or, if you were inclined to give me the benefit of the doubt, you might say that this burger doesn’t really belong on this menu. The food here is basically Italian, with aberrational suggestions of Mexican (ceviche), Creole (crab beignets), and French (niçoise salad). As such, a burger is something of an incongruous item.

This one is a relatively straightforward presentation. The focus, at least nominally, seems to be the patty, so I’ll start there. Wagyu beef is coveted for its rich marbling and intense flavor. Maybe this patty had some of that going on, but it was cooked right out of it. Our server recommended it be ordered medium. This savaged the flavor right out of the patty, replacing whatever subtle richness the oleaginous unsaturated fat might have imparted with the milquetoast savor of chuck. Damn shame.

The toppings, in the aggregate, fared only slightly better. The lettuce was crisp enough, but too dry. The cheese was of the perfect consistency, but disappointingly unassertive. The aioli was far too brash, elbowing out the rest of the garnishes. To give you an idea of the flavor, imagine that someone screamed the word “garlic” into some mayonnaise. The onions were so unexceptional I almost forgot they were there. Only the tomatoes were memorable: rich, sunny, sweet, and juicy. But ultimately, they could not save this burger from itself. A combination of poor preparation and a vastly too-aggressive sauce doomed it.

The vision seems to be a burger that would be exceptional but understated, where a simple arrangement of excellent ingredients would harmonize to create a classed-up iteration of an American standard. At that, it fails. So in seeking to achieve dignified simplicity, this burger, with its atrociously assertive aioli, comes off about as classy and genuine as Kim Kardashian. Sadly, like many of the customers at this restaurant, this burger is just trying way too hard and achieving way too little. Tragically apropos.

Either way, I should have ordered the meatballs. Shit.

The Ratings
Flavor: 6.20 / 10.00
Freshness/Quality: 7.50 / 10.00
Value: 6.60 / 10.00
Efficiency: 5.20 / 10.00
Creativity/Style: 6.00 / 10.00
Bun: 7.00 / 10.00
Patty: 6.30 / 10.00
Toppings: 6.50 / 10.00
Sauce: 4.50 / 10.00
Balance: 5.20 / 10.00

Total: 60.90 / 100.00

Grill ‘Em All

The Place
Grill ‘Em All
19 East Main Street
Alhambra, CA 91801
Screen Shot 2015-10-21 at 1.40.56 AM
Okay, so straight up: Grill ‘Em All is the weirdest place I’ve been to since the Project started. No doubt. Second place is so far behind that I literally don’t even know what it is.

Here’s the story: Ryan Harkins and Matt Chernus won The Great Food Truck Race and then bought this snug little cranny in an Alhambra strip mall. Grill ‘Em All, for the philistines in my readership, is a play on the name of a pretty rad album by Metallica (you know, before they started sucking…and also sucking).

The entire place buys…well, heavily into the heavy metal theme. While I waited for my food, I listened to dated (and second-rate) metal and watched a rerun of a Sting v. Ric Flair NWA Heavyweight Championship match. It’s a weird theme on its own, but throw in the hilarious contrast with the unavoidably milquetoast clientele, and spending a half hour there borders on surreal.

Having said that, the theme doesn’t really seem like a gimmick so much as the product of a genuine fascination with heavy metal. Given that basically all of the cultural references this place makes would go soaring over the British faded heads of the One Direction-obsessed members of the digital native generation, I think it’s a safer bet to assume Harkins and Chernus just like metal music a lot. Probably more importantly, Grill ‘Em All has endeared itself to foodie types for blending culinary innovation with caloric opulence. I went to try one of their many artery-cloggers.

The Order: Napalm Death (half pound patty, pepper jack, pickled jalapeño, cream cheese, habanero aioli, jalapeño poppers)

The Price: $12

The Burger
IMG_0538
I mean, wow. It’s hard to know where to start. This burger is unbelievably overwhelming. Basically, it presents different iterations of the same two flavor components: chili and cheese. The idea is that this burger is supposed to be punishingly spicy. It you’ve got any tolerance for heat at all, you’ll laugh that right off. The jalapeños are meek, and whatever bite the habanero might have had goes out the window because aioli is just never spicy.

Having said that, the various chili-centric ingredients allow for the flavor of the chiles to shine through. This is relatively rare, given that most burgers do not feature peppers in any central way. In this burger, the flavor – especially of the jalapeños – is very present in the flavor profile. The jalapeños have a gentle heat (blunted by the pickling or, in the case of the poppers, the cheddar) and a peppery sweetness which emerges from the caustic cut of the vinegar. The poppers are crispy on the outside and almost impossibly gooey on the inside. They’re a decadent addition, messy and unpretentious.

The patty is a half pound cooked medium rare. Grill ‘Em All’s medium rare is a bit overcooked for my tastes, but still juicy enough. There is very little char on the patty, which is also relatively lightly seasoned. As a result, for all its heft, the meat doesn’t really communicate much in the way of personality. It’s a little insipid, and not a worthy centerpiece. It’s saved a bit by the habanero aioli, which is surprisingly complex and picks up the floral flavor of the habanero pretty well. It makes up for what the patty lacks in charm.

The various cheeses are the most interesting part of the burger. They neutralize most of the heat, which allows the flavor of the chiles to rise. But on their own, cream cheese and pepper jack are a counterintuitive combination. The pepper jack is pepper jack; it starts with a kick but quickly retreats into buttery delicacy. The cream cheese, melted from all the heat, comes in on the finish. It is relatively mild, but a little funkier. It really dominates the back-end of each bite.

At first blush, this burger might seem to have a little bit of a kitchen sink vibe. But the ingredients hang together surprisingly well. The result is a hugely unconventional but surprisingly coherent presentation. With all that’s going on, there’s a little more here than the bun can contain at times, but the Napalm Death tastes a lot more sophisticated than it sounds. Or, sophisticated for a burger with jalapeño poppers on it, anyway. It may not be as sinister (or as spicy) as its name may indicate, but it’s still a good choice if you’re in the mood for something unconventional.

The Ratings
Flavor: 8.20 / 10.00
Freshness/Quality: 7.90 / 10.00
Value: 8.80 / 10.00
Efficiency: 8.10 / 10.00
Creativity/Style: 10.00 / 10.00
Bun: 8.00 / 10.00
Patty: 7.30 / 10.00
Toppings: 8.50 / 10.00
Sauce: 8.90 / 10.00
Balance: 8.70 / 10.00

Total: 84.40 / 100.00

LABP x PHL: Village Whiskey

IMG_0258
It is conceivable that, if there is a heaven, it resembles Village Whiskey.

I’m hesitant to wax theological here; that’s a horrendously fraught enterprise, and I doubt many of you would like what I had to say. To be clear, though, I’m not saying Village Whiskey is necessarily a perfect place. But it does have a lot of the trappings of a perfect place: a robust, whiskey-focused drink selection; a menu composed by a talented chef, José Garces (the centerpiece of which is a burger); and a vibrant, friendly atmosphere that is the perfect complement to good company. And milkshakes. It’s hard to imagine heaven without milkshakes.

This is a restaurant that is proud of its burger. I went with Kevin, Rumi, and Alexis to see if that pride is misplaced. It was a busy evening: I took selfies with two random girls for them to send to their friends on Snapchat. Alexis broke a glass in rage because she drinks slowly. And between the two of them, Kevin and Rumi can’t match my check-paying skills and sneakiness. And we ate.

The Place
Village Whiskey
118 South 20th Street
Philadelphia, PA 19103

The Order: Village Burger, medium rare, with cheddar, bacon, avocado, and caramelized onions

The Price: $22.50 ($13 base; $2.50 for cheddar, $3.00 for bacon, $2.50 for avocado, $1.50 for caramelized onions)

The Burger
The patty is eight ounces of farm-raised Maine Angus beef, impressively juicy and roughly packed into a small puck. It’s got the hallmark structural imperfection and asymmetry of a patty that was assembled by hand. The cheddar forms a nutty glaze over the top of the beef, bleeding over the sides and into the natural crannies in the patty. The patty is balanced atop thin blades of avocado. Beams of bacon shoot out the sides of the burger like exposed girders. Anchoring it all is a slice of tomato and a couple leaves of Bibb lettuce and a thin drizzle of Thousand Island.

The customizable burger is a tricky endeavor, and it’s hard to know how to evaluate it. After all, it leaves a lot in the hands of the consumer (and therefore, out of the hands of the chef). On the other hand, it places the onus on the restaurant to provide a burger of consistent quality no matter what ingredients they’re given. Oftentimes, diners don’t know how to thoughtfully assemble ingredients and instead opt to just choose a bunch of stuff they like. By offering a relatively diverse and challenging selection of additions, Village Whiskey places a lot of trust in their customers and their kitchen staff to make everything work.

It’s nice that as a fallback, the default garnishes are limited and fresh, the Thousand Island is unobtrusive and a mostly textural element, and the beef is very precisely cooked. This sets up a strong foundation upon which the other ingredients can interact more comfortably. My selection was relatively uncomplicated, with the bacon-avocado combination doing the heavy lifting. The smokiness of the bacon was mellowed nicely by the creamy avocado. Lurking under it all, the caramelized onions were sweet and tangy, harmonizing nicely with the Thousand Island.

So yes, this is a well-balanced burger, and it’s also pretty big — but you pay for it. At $22.50, it’s one of the most expensive burgers I’ve yet eaten. Candidly, it doesn’t completely live up to its price tag, but it’s still pretty good and really satisfying (I came medium hungry and didn’t even come close to finishing this monster). And as expensive as it is, I’d recommend it. My advice: round out the experience with some duck fat fries and a whiskey cocktail (or two), then finish with a vanilla bourbon milkshake. It’ll run you quite a few bucks, but you’ll leave full, happy, and maybe even a little buzzed.

The Ratings
Flavor: 9.30 / 10.00
Freshness/Quality: 9.50 / 10.00
Value: 7.00 / 10.00
Efficiency: 7.50 / 10.00
Creativity/Style: 8.80 / 10.00
Bun: 8.90  /10.00
Patty: 9.40 / 10.00
Toppings: 9.10 / 10.00
Sauce: 8.20 / 10.00
Balance: 9.20 / 10.00

Total: 86.90 / 100.00

Messhall Kitchen

IMG_0025Before I start, a prefatory remark. I apologize for the long delay between posts. I have been busy being an enormous catch. File this under not-so-humble humblebrag. Point is, I’ve been too occupied reading internet comments about myself and looking longingly at my own picture to eat or write about burgers. Sorry not sorry. In related news: my being featured in that campaign hasn’t made women more attracted to me. At all.

ANYWAY. Let’s talk about Messhall.

For most people, Los Feliz triggers one of three thoughts:

Los Feliz Boulevard at rush hour is one of the most compelling pieces of proof of a malevolent God;

or

Do I pronounce it like the Spanish (Los “Fe-LEES”) or do I pronounce it like the transplants who live here say it (Los “FEE-liz”)?;

or

Oh, that’s a nice place to, like, raise a young family.

If you’re me, you also think of late nights with friends at House of Pies and the 101 Café after concerts at the Wiltern, but that’s because I’m a fat kid with a nostalgic streak. You might also think of Mexico City. Or Little Dom’s (whose burger this Project imminently will tackle). What you probably don’t think of is the flourishing restaurant scene. And why would you? Sure, Los Feliz is a cool part of Los Angeles, but it really hasn’t managed to produce a real blockbuster restaurant like Downtown, mid-city, or Silver Lake have. Unless you count Sqirl. Sqirl is good. Plus, saying you got brunch there makes you hip, plugged-in, and trendy. And you can sit with people who are too cool to go to Alcove (because, like, who even does that anymore?), but who want to wear their sunglasses while they take down their frittata, or seared polenta, or whatever.

(I actually like Sqirl, but targets don’t come much easier than their clientele.)

Listen, the point is the culinary pickings in Los Feliz are pretty slim. It’s not clear that Messhall Kitchen is aiming to change the culinary reputation of Los Feliz all by itself. But it’s safe to say that this place might augur a tectonic shift in the food scene here. Their menu offers quietly multicultural and just-inventive-enough takes on comfort foods. The sweet potato tamale weds sweet corn with slow-braised, drippy pork chile verde. The poutine features fries soggy after being slathered in short-rib and cheese curds. With time, places like Messhall could well change the culinary complexion of Los Feliz (interesting, because the co-owner, Bill Chait, owns Louise’s Trattoria, one of the most aggressively uninteresting culinary experiences you can have in Los Angeles County).

But Kevin, McAdoo, and I didn’t go to taste the ground floor of a sea change in the culinary profile of Los Feliz. We went to try Messhall’s vaunted burger. Well, and McAdoo was there to help defray the simmering perception that Kevin and I have a weird relationship (we aren’t dating).

The Place
Messhall Kitchen
4500 Los Feliz Boulevard
Los Angeles, CA 90027

The Order: Mess Burger

The Price: $16 (before tax, includes fries)

The Burger
So okay, here’s a brief anatomical rundown of the burger. There’s a bun the size of North Dakota. Then, a substantial – say between one-third and one-half pound – patty drenched in what Messhall mysteriously dubs their “smokey sauce” (I’m resisting the impulse to make a crass joke about the forest fire safety bear), a sweet, runny, terra cotta condiment in which tangy belts of slow onion swim about. Crunchy discs of bread and butter pickles are also bathed in the sauce, but not enough to hide their charming, sweet and briny bite. A leathery sheet of nutty white cheddar is melted over the patty, almost to the point of liquidity.

If that sounds like a wonderful mix of flavors to you, I agree. Unfortunately, I can’t really report to you how they interact. The bun in this burger is so structurally dominant that it actually becomes physically intrusive. It is so enormous that, with every bite, it folds over and envelops the rest of the ingredients, masking their respective flavors and their interactions with one another. Whatever subtlety there is in this burger is completely obliterated by an overmassive bun that is kind of like a pushy salesman; it just won’t let anyone else get a word in.

In one sense, I get it: the patty is juicy and there is a lot of sauce on this burger. This bun avoids the problem of over-absorption and sogginess to which a less substantial bun might have been susceptible. But for God’s sake, there’s a happy medium in there somewhere. This was way over the top. Ultimately, I had to physically deconstruct this burger to actually taste the other ingredients. I removed the top bun and put it aside, and ate the burger open-faced with a fork and knife. Which made me look, well, not great.  And was pretty ridiculous. But I do what I have to do, damn it.

Anyway, the patty was very high quality. Our server confidently recommended that we order it rare, and the meat’s natural flavor could support that preparation. The sauce tasted fine but was poorly portioned; it crowded out the other flavors, such that everything else was muddied in a smokey-sweet haze. The pickles were present, but too inextricably linked to the sauce for their flavor to shine on its own. The onions were effectively lost in the soupy swirl of the sauce. The cheese complemented the rare beef well, providing a mellow counterpart to the assertive savor of the patty.

No one should be heard to criticize this burger for the quality of its ingredients. Even the fundamental ideas informing the assembly are sound. The problem is one of proportion. The burger is oversauced, but more importantly, features a bun that literally swallows the rest of the dish. The result is a dry, spongy front end to every bite that gives way to a muddle of ingredients too chewed-up to appreciate its individual components.

One more thing: this burger is very, very expensive. For sixteen bucks, I expect something truly memorable. In one sense, Messhall gave me that. I remember this burger, just not for the right reasons. I remember this burger because it’s bun got all up in my grill (literally), and didn’t let me taste anything else. I remember it because it tasted way too much like I was eating two uncharacteristically filling pieces of bread. I remember it because I actually thought, “Man, if I want a bunch of meat and shit wrapped in bread, I’ll eat a Hot Pocket. That takes three minutes, costs a few bucks, and I can do it in my sweats.” Not the right kind of memorable.

For now, I’ll reserve judgment as to whether Messhall portends a change in the culinary scene in Los Feliz. That’s a bigger question, one more effectively addressed by someone with a deeper knowledge than I. What I can tell you is this: this burger gets a lot of good ingredients together. The sauce is distinctive but also somehow familiar. There is real potential for something special here. But the experiment is botched due to its imbalance. So if Messhall does want to spearhead a change in the food future of Los Feliz, it probably won’t do it on the back of this burger, which is good – maybe even great – in concept, but just about average in execution.

The Ratings
Flavor: 8.30 / 10.00
Freshness/Quality: 9.40 / 10.00
Value: 5.80 / 10.00
Efficiency: 8.90 / 10.00
Creativity/Style: 8.60 / 10.00
Bun: 4.10 / 10.00
Patty: 9.10 / 10.00
Sauce: 8.90 / 10.00
Toppings: 8.80 / 10.00
Balance: 4.00 / 10.00

Total: 75.90 / 100.00

In-N-Out Burger

Displaying IMG_3137.JPGIf we’re being honest with ourselves, this saga could only have started here. Since taking Baldwin Park by storm in 1948, In-N-Out has become a staple of life in California. Over the years, it has achieved nationwide fame, even being the subject of an extended, gushing soliloquy by a starstruck Anthony Bourdain. In-N-Out Burger is what most people in Los Angeles think of when they hear the word hamburger. The Los Angeles burger scene started at In-N-Out Burger. It is only fitting, then, that the Los Angeles Burger Project starts there as well.

The Place:
In-N-Out Burger
310 N. Harvey Drive
Glendale, CA 91206

The Order (pictured above): Double-Double (mustard fried, no tomato, onions, extra toast on the bun); French fries, Coke.

Price: $7.41 (including tax).

The Burger
What can I write that most of you don’t already know? In-N-Out has mastered the art of the burger, and executes fresh (never frozen), impossibly consistent masterpieces thousands of times daily. The strength of this burger is in its simplicity. The cheese is melted and gooey without being messy. Wonderfully fresh and crisp lettuce and onions give the burger textural complexity. The lettuce is especially praiseworthy: never wilted, in spite of its proximity to freshly-grilled meat and melted cheese. The spread is tangy without being overpowering.

You could make a pretty strong case that the bun is the strongest element of the burger. Perfectly sized, perfectly absorbent, perfectly toasted, this bun has just enough independent flavor to influence the taste profile of the burger without dominating it. While many gourmet burgers feature a buttery brioche, In-N-Out’s bun is more traditional, but perfectly suited to the fresh simplicity of the offering.

Ultimately though, the meat is the marquee feature. The immaculately seasoned patties are juicy and perfectly cooked – just far enough past medium rare to preserve the meat’s natural flavor and juiciness, while also avoiding being messy or bloody (though, if you prefer a bit more blood and a bit less structure, you are free to request that the meat be medium rare). Notes of crackling fried mustard lingers under the delicate char. The thin patties provide a greater seasoned surface area, which gives the meat much more depth of flavor than a brutish, thick patty might.

In-N-Out is perhaps most impressive, though, for its consistency. This is a restaurant that has never compromised on its core values of making fresh, delicious food. Their commitment is evident in their consistently delicious and perfectly prepared burgers. Pull up to an In-N-Out Burger in the middle of nowhere, and you can be damn certain that you will get the same phenomenal product you would get from them in the heart of Los Angeles.

In-N-Out is not the place to go if you are looking for an inventive, boundary-pushing burger. Their menu is small, their ingredients limited, and their focus narrow. They make no effort to reinvent the wheel. They have a winning formula, and they stick to it. The food here will not challenge you. It will not surprise you. But it is also much more than just a known quantity. In-N-Out never wanted to redefine the burger. They just wanted to master it. And that, they have achieved in spades.

The Ratings
Flavor: 9.70 / 10.00
Freshness/Quality: 9.80 / 10.00
Value: 10.00 / 10.00
Efficiency: 10.00 / 10.00
Creativity/Style: 7.50 / 10.00
Bun: 9.70 / 10.00
Patty: 9.50 / 10.00
Toppings: 8.90 / 10.00
Sauce: 8.80 / 10.00
Balance: 9.10 / 10.00

Total: 93.00 / 100.00