Love & Salt

The Place
Love & Salt
317 Manhattan Beach Boulevard
Manhattan Beach, CA 90266

Love & Salt
You probably can’t live in Manhattan Beach.  The prices are too high; the lifestyle is too idyllically Californian; the people are too beautiful for their age; the parking is too scarce.  Most importantly, perhaps, the quality restaurants are too few.  While higher dining options exist – M.B. Post, Fishing With Dynamite, and the subject of this review, Love & Salt – the culinary scene in Manhattan Beach would perhaps most aptly be characterized as “family friendly.”  Perfect if you like Pitfire Pizza, less so if your preferences skew toward street food, fusion or small plates.

But Manhattan Beach really does encapsulate the Southern California lifestyle, or at least what many people outside Southern California would imagine our lifestyle to be.  It’s mostly white, mostly rich, mostly sunny, mostly upscale, mostly clean, mostly successful, and mostly USC alumni.  It exemplifies the relaxed affluence that is more closely associated with Southern California than with anywhere else.  You’ll spot an off-puttingly muscular forty-something year old man strolling down Manhattan Beach Boulevard with impossibly adorable children, his bronze arms bursting from Rip Curl t-shirts, salt-and-pepper hair cut close, smiling through his Maui Jim sunglasses at the cards life dealt him.  And just when you think you might live a life like his one day, you see the glint of the alabaster dial on his $20,000 watch as it catches the sun just so, and you’ll remember that this is not your place.

In spite of being inaccessible, though, I can’t shake the feeling whenever I’m in Manhattan Beach that there’s something missing there (besides minorities, I mean).  It’s a city that lacks a certain je ne sais quoi.  It’s beachy, it’s Californian, there’s a Marine Layer, and the schools are top-notch, sure, but it feels fundamentally anti-urban.  It’s oddly devoid of genuine culture.  It’s an ecosystem, not a city.

If you’re looking for a B(a)esha Rodell-approved break from the blocks upon blocks of suburban ennui (and you are lucky enough to find a parking spot), you might stop in at Michael Fiorelli’s Love & Salt.  Chef Michael Fiorelli’s food is described by the restaurant as Italian-inspired, but “with a California soul.”  It may be that soul animating the splash of salsa verde on the grilled octopus, or (depending on how forgiving you feel) the presence of gluten-free pasta.  Good-natured ribbing aside, the food here is good.  The cocktails are excellent as well.  It may not be the most innovative menu in the world, but come on; this is still Manhattan Beach.

One item for which Love & Salt has become quietly regarded is a burger, which was inspired neither by Italy nor the restaurant’s soul, but rather by a particularly intransigent regular customer who persisted in ordering a burger in spite of there not being one on the menu.  Chef Fiorelli finally relented and, using what ingredients he had on hand, he served what is now known as the Downlow Burger.  It recently received sterling plaudits from local tastemakers, so I predictably felt compelled to sample it.  In the spirit of its origins, the Downlow Burger remains off the menu (as in, on the down low) at dinner, but they make a limited run of twelve per day during weekend brunch.  Calling ahead to request a set-aside is advisable.  Kelsey, Kristen, Tristan and I did just that, and took in a Saturday brunch there.

The Order: the Downlow Burger

The Price: $16

The Burger
The Downlow Burger consists of two substantial black angus beef patties, fontina cheese, caramelized onions, housemade pickles, and a tomato aioli, all on brioche.  Probably the highest praise I can heap on this burger is that it presents like a cousin of Petit Trois.  It’s a saucy, paradoxical thing: minimalistic but indulgent, familiar but challenging, understated but brazen.  Like Ludo’s masterwork, it eschews typical garnishment in favor of fewer, bolder flavors, assembled purposefully to complement one another.

The beef is the anchor, and though it was overcooked (and therefore a touch gritty), it was juicy and bursting with savor that stabilized every bite.  The fontina cheese added a lightly botanical quality, while its fruit and nut notes seeped into the meat, giving it a subtle sweetness that interacted well with the caramelized onions, the residual tang of which, in turn, married nicely with the delicate sourness of the pickles.  The buns hold everything together, but don’t impress too much in their own right.

The really impressive choice here was the tomato aioli.  While the tomato flavor was the right call, ketchup would have been too ham-fisted, too obvious, too sharp, and it wouldn’t have fit in the context of this burger, which decidedly is aiming for gourmet status.  By presenting the tomato as an aioli, Fiorelli manages to present the right flavor, but with a softer touch.  It’s a really sophisticated, thoughtful, creative stroke, and it elevates this burger and preserves a balanced flavor profile.  It’s no bordelaise sauce mounted with foie gras, but come on; this is still Manhattan Beach.

The Ratings
Flavor: 9.20 / 10.00
Freshness / Quality: 9.50 / 10.00
Value: 8.40 / 10.00
Efficiency: 8.70 / 10.00
Creativity / Style: 9.20 / 10.00
Bun: 8.20 / 10.00
Patty: 8.70 / 10.00
Toppings: 9.50 / 10.00
Sauce: 9.80 / 10.00
Balance: 9.60 / 10.00

Total: 90.80 / 100.00

Errata: Cassell’s Hamburgers

There is a line in Sophocles’ Antigone that has stuck with me.  It is a scene in which Creon seeks Teiresias’ advice regarding whether or not to free Antigone.  Teiresias tells the ruler, “All men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil.  The only crime is pride.”  Now, I haven’t imprisoned my niece to reinforce gender roles or intemperately deployed the power of government in the context of familial conflict.  Nor have I forsaken the bonds of marital and paternal love to preserve an imagined or preferred political order.  But I like to think Teiresias’s advice is more generally applicable.  Because, you know, parables.  Right?

Anyway.  As I’ve accrued some modicum of experience in my life, I’ve had occasion to look on my past with a more critical eye.  By an large, I’m proud of the way I conducted myself.  But there are exceptions.  When one cannot or does not act to rectify past errors – to “repair the evil” – those exceptions have a way of blooming into regrets.

Having just hit a milestone, agewise, I think the time is right to come clean about an error I made early in this project.  I went with Greg and Lemi to Koreatown’s Cassell’s Hamburgers, a bustling diner nestled in the first floor of the Hotel Normandie.  I talked about how I didn’t feel as though Christian Page was reaching his potential with the burger he offered.

 

That review is, quite literally, the only one I look back on and regret.  I like to think (perhaps self-indulgently) the evaluations presented on this Project range anywhere from eminently fair to downright authoritative.  The Cassell’s review marks the lone occasion where I deviated from basing my judgment on the food on the plate.  So, in the spirit of not committing the only crime, I went back to Cassell’s with Kelsey, Kristen, Nikhil, and Tracy.  And now, I’m back before you with my proverbial hat in hand, to give Cassell’s the reconsideration it deserves.

The Burger
The chuck-brisket patty was even better than I remembered.  Flavorful, tender, and rich, it burst with juicy personality, courtesy to that nearly 70 year-old crossfire broiler.  The garnishes were as fresh as I remember.  Everything was as it was on my prior visits.  I won’t regurgitate here what I’ve written before.  If you want to read it, follow the link above.  Besides, it’s not really my sense of the burger’s quality that has changed, per se.  There are a couple of things about that review, though, that bother me.

The first problem is that I docked the burger for not “hitting its potential.”  In addition to being a maddeningly vague and subjective feeling that I struggled then (and struggle now) to justify, it’s just kind of irrelevant.  There’s not a dish that’s been cooked that couldn’t be improved somehow.  We can’t judge dishes (or anything, for that matter) on the basis of what it could have been.  We have to look, first and last, a what a thing is.  That matters more.  And what Cassell’s is, is a delicious burger–one of the best in the city.

The second problem isn’t one I could have anticipated as I penned the review initially, but it’s a problem nonetheless.  Cassell’s stacks up much more formidably than I expected against the other burgers I’ve had since.  When people ask me what the best burgers in the city are, this one always comes to mind.  That’s got to count for something.

I get it.  It’s not like I’ve imprisoned one of my nieces.  There has been no mortal sin committed here.  It’s not as though I got drunk on power and perpetrated some monstrous act of megalomania.  I just docked a burger a couple points unfairly.  But a mistake is a mistake, and if this Project is to be worth relying on, you all have to know you can trust me to recognize my mistakes and correct them as they arise.  The only crime is pride.

The Ratings
Flavor: 9.60 / 10.00
Freshness/Quality: 9.50 / 10.00
Value: 9.10 / 10.00
Efficiency: 9.40 / 10.00
Creativity/Style: 7.50 / 10.00
Bun: 9.50 / 10.00
Patty: 9.70 / 10.00
Toppings: 9.50 / 10.00
Sauce: 8.00 / 10.00
Balance: 9.40 / 10.00

Total: 91.20 / 100.00

Fritzi

The Place
Fritzi
814 Traction Avenue
Los Angeles, CA 90013

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I remember when Give Up by the Postal Service came out.  I was a sophomore in high school.  It was before winter formal.  That particular winter formal was to be a rare triumph for me in the romance department.  I took one of the prettiest and most popular girls in the freshman class.  Unfortunately, as it turned out 1) I wasn’t very attractive (please indulge my optimistic use of the past tense), 2) she was out of my league, 3) I’m inveterately and painfully awkward, and 4) teenagers are a heartless sort.

The result: she bolted as soon as we arrived, and spent the entire evening with confident, attractive junior alpha males who played sports and got bad grades.  Meanwhile, I, the archetypal beta male, sat on a bench staring into a swimming pool, waiting for high school to end, and playing various tracks from Give Up in my head to pass the time. This admittedly depressing scene was interrupted when I was rescued by my friend David and his date Sara (incidentally, about halfway through “Clark Gable”).

I still wonder why that album came into my head, especially considering my tortured relationship with it.  I hated to like Give Up.  See, some Death Cab for Cutie fans were nervous when Give Up dropped (these were the Sub Pop days, when Death Cab fans were less numerous and more proprietary than today’s breed).  Publicly, we worried side projects portend artistic restlessness, or worse, stagnation, that they threaten to reveal a beloved artist reduced to repackaging old ideas instead of presenting new ones.

Privately though, we’d admit that our real issue wasn’t artistic; it was that side projects have the whiff of infidelity.  Death Cab fans liked to envision Ben Gibbard poring over ragged spiral notebooks scribbling the lyrics to the next “A Lack Of Color,” not seeking new modes of expression.  Him having another band felt like a betrayal.

What an odd feeling. It’s not as if I didn’t love Ben Gibbard just because Give Up came out.  It’s just that the release of Give Up made me face all facets of that love, even the ugly ones: affection, loyalty, fear (of change and of loss), comfort, complacency, possessiveness, jealousy.  The only thing more frightening than watching someone you love change is the prospect of getting left behind somewhere along the way.  So I listened, with layered trepidation.

I find these feelings have survived in me, and they resurfaced again recently when Neal Fraser diverted his attention from Redbird to give Fritzi the full sit-down restaurant treatment.  When Fritzi became something more than a whimsical pop-up or a window at Arts District Brewing, that familiar proprietary jealousy, that envious dogma of mine, was impossible to escape, even though culinary side projects often work out just fine.

The Order: Fritzi Burger

The Price: $11.50

The Burger
Maybe you’ve never heard of Fritzi.  It would be hard to fault you, actually.  It first surfaced as a pop-up, then soft-opened as a practically nameless take-out window nestled in a corner of Arts District Brewing, where everyone from the merely buzzed to the blacked out could partake in some high-class, high-carb hangover prophylaxis.  The only signage to speak of was a large marquee above the window that glowingly admonished all passers-by: “DON’T FORGET TO EAT.”

By the time Fritzi actually opened a dining room directly next door to Arts District Brewing (serviced by the same kitchen as the take-out window; the two spaces are less adjacent than they are interlocked), it would have been easy to not notice.  There was almost no fanfare; besides, we’d been eating off that menu for months.

But Fritzi commands attention.  It is the brainchild of Neal Fraser, who ranks among the most deadly serious chefs in the city.  The fare is fast-food inspired and fundamentally uncomplicated.With quintessentially Arts District pretentiousness (i.e., trying far too hard to project a laid-back, industrial Bohemian charm), Fritzi will tell you they serve “artisanal nosh.”  That means no of-the-moment crudo, no robust and hearty braised goat gemelli, and – sadly – no peri-eponymous (I can’t resist making the epunymous joke) tray of veal.

Nothing here is a signature dish.  This is an off-duty project, a glimpse at what Neal Fraser might make at a cookout – nothing too high-minded…but, well, he’s still Neal Fraser.  As such, expect sophisticated, subtly reimagined classics.

The Fritzi Burger is, for lack of a better term, so Fraser.  Each component of the conventional burger is rethought, elevated.  This burger offers a hybrid patty (Nueske bacon and beef) that is given ample (viz., nine hours) sous vide time; a generous smear of Fontina fondue which offers a gooey, honeyed nuttiness; a sweet Calabrese relish with a whisperingly slow-hot finish; a fresh salve of mild thousand island; and iceberg lettuce to add cooling textural contrast.

The patty is a masterstroke, a subtle, intensely flavorful execution of an idea that sounds excellent in theory but often is butchered grotesquely in practice.  The Nueske bacon imparts a smoky, marbled dimension to the beef, evoking the faintest thoughts of a Texan barbecue pit.  The fondue creates a sumptuous, almost silken coating around the patty, mild and comforting.  Both sauces are excellent, and work well enough in concert with one another.  They offer a few redundant notes, but ultimately elevate the entire experience.  I was glad for the lettuce, if only because it offered a bit of complexity in a burger that otherwise verges on textural monotony.

While Fraser excels in reimagining individual ingredients, he sometimes almost loses sight of the forest for the trees.  It’s fine to reshape each piece of a puzzle, especially if you improve each one; but change them enough, and they won’t fit together.

In the case of the Fritzi Burger, that’s just a distant threat – this burger hangs together well, never veering into incoherence.  But it also is a mildly unsettling dish, because – as a whole – it doesn’t always feel completely intentional.  But existential niggling aside, this burger is stellar, not to be missed, and yet another shining example in a litany of Neal Fraser’s innovative genius.

Ultimately, no matter how rabid a Death Cab fan I was, I listened to Give Up.  I couldn’t help myself.  In my more honest moments, I recognize it as a superior product to solidly (maybe conservatively) 85% of Death Cab for Cutie’s oeuvre.  But even short of that admission, I know I put aside my feelings of betrayal on behalf of Gibbard’s bandmates because I wanted to understand what was compelling enough to divert his creative focus.  I didn’t really listen because I wanted to.  I listened because I had to.

So if you felt similar vicarious betrayal when Chef Fraser took time away from Redbird to launch Fritzi, you probably also feel a similar morbid curiosity regarding what Fritzi is all about.  Succumb to it.  This burger may not be better than 85% of the menu at Redbird, but it is too good to be missed owing to proprietary hipster envy.

The Ratings:
Flavor: 9.60 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 9.00 / 10.00
Efficiency: 8.40 / 10.00
Creativity/Style: 10.00 / 10.00
Bun: 8.40 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.10 / 10.00
Sauce: 8.70 / 10.00
Balance: 8.90 / 10.00

Total: 91.10 / 100.00

Petit Trois

The Place
Petit Trois
718 North Highland Avenue
Los Angeles, CA 90038

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I was talking to my friend Peter last week about Petit Trois.  He went there with his wife recently, and ordered the omelette.  I’m not sure Peter is an omelette connoisseur, but he certainly is an educated enthusiast.  Anyway after a few bites of their omelette – a facially pedestrian offering with nothing more Boursin (yes, from the box) pepper cheese and a dusting of chives  – his wife asked if it was the best omelette he’s ever had.  “No,” he replied, “it’s the first omelette I’ve ever had.”

That’s what makes Ludo Lefebvre special.  His strength is not so much in wildly innovative concepts (though one trip to Trois Mec will show you he’s no slouch in that regard), but rather in expression.  Whatever the concept, from veal belly with crispy artichoke on down to a double cheeseburger, Lefebvre cannot be matched in execution.  Each dish is prepared with such skill and care, that his food has the potential to transcend quality and establish itself in your mind as an archetype of what a certain dish should be like.

Ludo Lefebvre is the rare chef who can make a simple dish feel definitional.  Not every dish achieves it, but when one does, you feel it, and to describe it is really just to speak normatively about how every dish of that kind ought to taste.  I’ll stop short of saying that his best offerings are infused with the intent of the divine, but the thought occurred to me.

The Order: Big Mec

The Price: $18

The Burger
Even if the name Petit Trois isn’t immediately familiar to you, you likely know more about it than you realize.  It’s the daughter restaurant of Trois Mec, at which reservations are famously difficult to secure, but which offers among the finest tasting menus in the city.  Petit Trois, then is an approximately Le Comptoir-sized appendage to its venerable – albeit only marginally larger – parent.  Though the restaurants have markedly different personalities, they share more than a wall; they have a common creative nucleus: Ludo Lefebvre teams with Los Angeles culinary power pair Jon Shook and Vinny Dotolo (the minds behind Animal, Son of a Gun, and Jon & Vinny’s) on these two gems tucked away in a strip mall behind a gas station.  Don’t let the understated location fool you, though – this part of mid-city is a culinary hotspot.  Just across the street is the mighty, higher-profile Mozzaplex, where Nancy Silverton et. al. have been slinging really important food for decades.

Roughly speaking, Petit Trois is a French lunch counter.  Reservations are not accepted, and the menu is a cheesy, framed and laminated piece of printer paper.  They serve comfort food which oozes with nostalgic sentimentality (for instance, every Sunday, Ludo Lefebvre – continuing a family tradition – does a chicken roast, where a half chicken is offered atop mirepoix, a bed of rough-cut vegetables redolent of a French country table).  The dishes are, in concept, often childishly simple.  Confit-fried chicken with bitter-cool frisée.  The aforementioned omelette has a flavor profile simple enough not to overwhelm my five year-old niece, but a subtle, buttery complexity that would floor just about anyone.

The cheeseburger is similar.  The name is a tip of the cap to an iconic – though hardly estimable – progenitor, and the inspiration, weirdly enough, is discernible.  The Big Mec is a double cheeseburger featuring two patties, Tillamook cheddar, all utterly drenched in Russian mayonnaise and house-made bordelaise sauce jammed between two brioche buns.  This burger is a study in messy decadence.  It bleeds sauce over its edges like a fountain.  The bottom bun is coated with the two sauces but somehow not soggy, and incredibly, never even threatens disintegration.

The concept here is to unify simplicity and excess.  At first blush, that might seem paradoxical, but it works in practice.  This burger is decadent without being overwrought.  It takes simple ideas and presents them in a maximalist fashion.  It is the culinary equivalent of “Untitled,” the first song off Interpol’s debut, Turn On the Bright Lights.  In that song, Paul Banks repeatedly intones the promissory phrase, “I will surprise you sometime, I’ll come around,” amid a swirling, sparkling, ever-rising torrent of Stratocaster.  There isn’t much to it; but it’s arresting because the same idea, the same brief, haunting, beautiful motif, is pounded into your head so many times.  That approach informs this dish as well.  Of course, the concept would be nothing without execution.  The Big Mec is executed masterfully.

The cheese is perfectly melted but still decidedly solid – it has heft and mass.  And it’s Tillamook, so it’s approachable: sharp and flavorful without being too overpowering.  The patties are stellar, massive things.  Charred on the outside, pink on the inside, irrepressibly juicy and thick.  They absorb only some of the ocean of sauce, but it’s enough to subtly change the flavor of the meat.

At bottom, this burger is about the sauces.  And really, it’s about the bordelaise.  The Russian mayonnaise is piquant, fresh, and just creamy enough, but it is utterly overshadowed by its companion.  The bordelaise at Petit Trois is made with red wine and veal stock and mounted with foie gras (usually, the mount is butter).  It is astounding.  It teeters on the boundary between boozy and acidic, like wine a few atoms away from oxidation.  But it is given shape, depth, and balance by the foie gras mount.  In the end, everything about it feels decadently intentional.  It is the most challenging, but also the most comforting, bordelaise you’ll likely ever taste.  It is smooth but also sharp, mellow but also bright.  It is also just about omnipresent in this burger…and you’ll still want more.  It also creates a beautiful, natural mash-up with the Russian mayonnaise – so natural, in fact, that the sauces feel more coextensive than cooperative.

You’ll ravenously devour this plate of food.  Your hands and teeth will drip with oxblood bordelaise and Russian mayonnaise the color of cooked salmon.  You will do violence to this burger.  The taste of the sauces will linger in your mouth long after you finish.  You will be exhausted, you will be panting.  You will look down at the plate, full to the gills, and you will ache for more.  You’ll see the pool of what’s left of the two sauces, intermixed, looking like a Woolnaugh endpaper, and you’ll wish it wasn’t over.

This is a cheeseburger.  Other things we previously might have known as cheeseburgers do not deserve the privilege of sharing a categorical identity with this dish.  It is the archetypal burger:  comforting, rich, indulgent, decadent, massive, messy, meaty, subtle, warming, unpretentious but refined, accessible, filling, and utterly delicious.

Make no mistake: This is as indispensable an eating experience as the critically acclaimed tasting menu across the wall.  If you have not yet eaten this cheeseburger, it may well be argued that you have never eaten a cheeseburger at all.  The Big Mec at Petit Trois is nothing short of a masterpiece.  Drive quickly, order quickly, but eat slowly.  After all, this will be your first cheeseburger – you should savor it.

The Ratings
Flavor: 10.00 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 8.40 / 10.00
Efficiency: 9.80 / 10.00
Creativity/Style: 8.90 / 10.00
Bun: 9.90 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.70 / 10.00
Sauce: 10.00 / 10.00
Balance: 10.00 / 10.00

Total: 95.70 / 100.00

Sunny Spot

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The 405 freeway is maybe best described as a piece of hell that Los Angeles chose to annex in 1964.  It (along with bananas-high taxes) is the price we pay for living in a sun-soaked paradise: a throbbing vein of gridlock, on which – at the best of hours – brake lights pulse rhythmically.  Quite often though, it’s worse, and the string of red lights in front of you looks like a fluorescent snake if you squint.

For those who live in Los Angeles, the 405 is a conversation piece.  When I meet friends for a meal in Santa Monica or Venice, inevitably I will describe to them either a) what a tragedy the 405 is today, or b) how I skillfully, creatively managed to circumvent the 405.  These topics are staples of the conversational diet in this town.  And they make us an easy target.

I recently spent a Saturday morning – and part of the afternoon – on the 405, driving to brunch at Sunny Spot.  My interminable journey through the gridlock (which, in familiarly epic largesse, spilled indulgently back onto the 101) found me listening to Loveless on repeat and texting my friend Bret with my car in park (and just to completely embody the stereotype, I’ll share that I was between Getty Center and Sunset – nightmare).

Unless you live on the west side, you’ll have to endure some version of this drive to get to Sunny Spot.  When you arrive, you’ll find a classically Venice exercise: peeling turquoise paint on which the name of the restaurant boldly is emblazoned in coral-colored cursive (think the colors of the key at the San Antonio Spurs’ arena circa 2000), a meticulously curated shabby-chic beachside dive aesthetic.  It tries hard not to try hard.

You’ll likely have lost your reservation by the time you arrive (assuming you had the foresight and misplaced optimism to make one).  So you’ll have to wait among aspirant screenwriters and armchair critics; almost impressively basic young women with protein powder-dusted boyfriends following close behind; post-surf stoners, desperately hungry and wondering why they hath forsaken Taco Bell.

It goes without saying that a tiny proportion of guests will be talking to one another.  After all, to our generation, a meal with friends merely means sitting at a table with other people who are also glued to their Instagram feed.  True to form, you’ll see the patrons of the restaurant being alone together, side-by-side but absorbed in Pokémon Go or composing sarcastic YouTube comments or adding this “memory” to their Snapchat story or whatever the intimacy-killer du jour is.

You’ll try and push this depressing portrait of collaborative loneliness out of your head.  You’ll get a greyhound from one of the surprisingly attentive bartenders (you won’t get a Bloody Mary, because they aren’t fantastic here, and you won’t get a mimosa because mimosas are sort of silly).  You’ll steep in the charming, faux-rustic atmosphere of the place, the loose and warm summer shade.  If you’re the type, you’ll lovingly muss your hair and frame a selfie or two.  You’ll wait longer than you should for a table, and do your best not to wonder if it would be easier to get a table at Providence than here.  Then you’ll remember that you should relax; it’s the weekend, and the weekend was made for wasting time.

The Order: Double Cheeseburger

The Price: $15

The Burger
The reason I bring up the 405 and the whole look of Sunny Spot is because I have to talk about them to talk about this burger.

The 405 is not just a freeway.  Well, on the surface it is.  It’s a few lanes arranged in a predetermined path, peppered by ramps every few miles.  But dig deeper, think harder, and you might be surprised with what you realize.  The 405 forces us to confront the ironic truth that, to get somewhere, we have to accept going nowhere for a while.  It wrenches us from the stupefying, swipe-right torrent of instant and meaningless gratification that occupies so much of our time and thought.  It pulls us away from the relentlessly interconnected world and makes us confront our own thoughts.  It demands the one thing so many in this generation lack: patience.

My point is that the 405 isn’t what it seems on the surface, and if you think about it in the right way, you can understand how sitting in traffic actually is a blessing, an opportunity for growth and reflection that has become vanishingly rare as our world becomes a giant touchscreen.  At the very least, it can show you that often times, there’s more to things than what you might see from a cursory look.

Sunny Spot is sort of like the 405 in that way.  If you weren’t looking all that hard, you’d see a beachy Venice restaurant with a gregarious color scheme.  You might miss the subtleties at play here.  Their brunch menu features standard items with haute tweaks.  Grana Padano in an otherwise unremarkable chop salad.  Crisp chicharron on the Cuban pork sandwich.  A sunny egg on the BLTA.

This is a place that quite clearly is trying to give you what you want in a way that’s better than you wanted.  They want to blend the familiar with the high-level.  It’s not just a beachside shack; it’s a place that is dedicated to the marked – if incremental – heightening of tastes.  This is admirable, and an especially tall order when your target audience is so often obsessed with the banal and unchallenging.

What I’m trying to get at here is the (weird, semantic) distinction between being complicated and being complex.  The 405 is complicated because it introduces logistical uncertainty in my life.  Because there are so many damn cars on it, I’m late for any plans that involve me taking the 405.  But the 405 is complex because it makes me feel something every time I’m on it, and exploring those feelings makes me think more deeply and more critically about the world around me and my interaction with it.

Sunny Spot itself is uncomplicated – it’s a simple enough formula of beautiful, precisely disheveled people and a milieu to match; but it’s complex because it seems to be at least attempting to subvert and refine the unsophisticated impulses of the very clientele to which the place – at least aesthetically – caters by subtly altering the familiar.

How does this distinction apply to burgers?  Well, it’s easy to make a burger complicated by fettering it with a slew of features.  But complexity isn’t about the number of variables in play; it’s about the depth of interaction between those variables, and it’s really about the way the thing makes you feel, what it arouses in you when you take a bite.  Sunny Spot rejects being complicated in hopes that it might achieve subtle complexity.

In eschewing all the traditional trappings, Sunny Spot is trying to challenge your preconceptions of what is indispensable on a burger.  Lettuce, tomato, ketchup: these are distractions.  Sunny Spot presents a burger with a spare flavor profile.  By reducing the number of ingredients, the goal seems to be to heighten subtle interactions rather than presenting an amalgam of various flavors.

This burger places two hefty patties smeared with American cheese front and center.  This centerpiece is rounded out with dijonnaise, pickles, and caramelized onions, all of which is sandwiched between two brioche buns.  Note that this hits every one of the basic taste triggers: sour (pickles), sweet (dijonnaise and onions), bitter (onions), salty (beef), and umami (beef and cheese).  This burger touches all the bases without giving too much of anything.

The good news is that this burger is efficiently conceived and executed.  It’s a competent exercise in lean construction.  But that’s all it is: just craft.  This burger clearly wants the diner to do the work of figuring out how these flavors are put together.  That doesn’t stop it from being good.  But it precludes greatness.

A great burger will give you a window into the mind of the person who made it.  It might even arouse memories, feelings, thoughts.  It will show you something or make you feel something.  The best food isn’t that which you can appreciate as a well-formed study in culinary craft.  It’s the food that enriches you somehow, connects with you individually, feels like it was made for you.  This burger will mean the same thing to everyone who eats it.  Few will abhor it, none will yearn for it once it’s gone.  It’s a pleasant, but eminently duplicable, experience.  As far as it goes, it’s great.  The problem is that it just doesn’t go all that far.

In this case, the distinction between complicated and complex is purely academic.  This burger is neither.  Relatively few ingredients interact in predictable, uninspired ways.  The beef and cheese overwhelm the flavor profile.  The brioche is a touch dry.  The dijonnaise and pickles are barely perceptible, so any subtle interaction between them is a whisper in a thunderstorm.  The onions are unevenly distributed on the patty, providing pockets of soupy bittersweetness.  None of this is offensive – in fact, the toppings themselves (especially the dijonnaise, oddly enough) are all quite good – but the ingredients simply stand side by side without ever cohering.  This is an orchestra tuning, not playing a symphony: the talent may be there, but the real show hasn’t started yet.

This burger was not made for you.  It was made for everyone.  It is always correct but never remarkable.  It will be good to everyone and great to no one.  Fairly, you may not care about the fine-grain distinctions between complicated and complex.  In that case, know this: you will neither regret ordering this burger nor crave it again.  But it won’t make you feel anything.  And it certainly won’t make you forget that drive.

The Ratings
Flavor: 8.20 / 10.00
Freshness/Quality: 9.20 / 10.00
Value: 7.10 / 10.00
Efficiency: 5.20 / 10.00
Creatvity/Style: 7.80 / 10.00
Bun: 7.80 / 10.00
Patty: 8.90 / 10.00
Toppings: 8.70 / 10.00
Sauce: 9.00 / 10.00
Balance: 7.30 / 10.00

Total: 79.20 / 100.00

Redbird

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I think about judgment day a lot.  Call it the end of the world, or the apocalypse, or whatever you want.  I think about it.  I think about when fire and brimstone rain down heavy and hot from skies that split like the seam of a too-small blazer.  When it turns out the Old Testament was right.  When God gets sick of all our shit and exacts vengeance on us for our innumerable sins.  When we all find out that we were fools to be cynical and supercilious.  When the joke, as it happens, was on us all along.  When it doesn’t matter whether we’ve found God, because he finds us.  When it doesn’t matter what we believe.  When nothing matters but the lives we’ve led.

When that day of reckoning comes, I hope I’m sitting at Redbird with the tar-black summer sky above me, a meal settling, the cold sting of a scotch and sherry cocktail lingering on my lips, waiting for my pavlova to arrive.  That’s not because Redbird is the best restaurant in this city, or even the fanciest.  It’s not because Neal Fraser is the best chef in the city (though he must be in any conversation on the topic).  But I can’t think of a better place to face the apocalypse (leaving aside the delicious irony of being condemned to an eternity alongside Dante’s most wanted while sitting in a repurposed rectory).

See, when it all ends, I want to be somewhere beautiful, and I want to be doing something delightful.  Redbird is the most beautiful place to eat in Los Angeles.  Bar none.  It also is one of the ten best restaurants in this city.  Its décor is as eclectic as its menu, which in turn is as eclectic as Los Angeles.  Fraser presents crudo with bright wedges of citrus and an adobe-red dusting of peppery togarashi; delicate, crisped slabs of Wyoming trout; a symphonic barbecued tofu (which, by the way, is dream-hauntingly good – better even than Sang Yoon’s resplendent chicory-coffee barbecue sauce-bathed Kurobuta pork ribs at Lukshon – whether or not you like tofu).  And he presents them all with such easy familiarity that you’ll forget how weird it is to find them all on the same menu.  Just like Los Angeles, in which so many different cultures and kinds live side by side.  It’s curated chaos, but to those of us who have been fortunate enough to really come to know it, its splendor is difficult to match.  The perfect place to watch it all end.

Wednesday was not the apocalypse, so Bret and I settled for lunch at Redbird.  It’s a perfect option for those who ache for a longer intermissio from the raw grind of the work day.  Fraser offers a slightly abbreviated version of his menu, including a prix fixe for the indecisive and slightly profligate, and a burger for … well, not least for the man who writes about burgers.

The Order: Prime Burger

The Price: $18

The Burger
This might be the burger for the end times.  See, if you happen to be jonesing for a burger when the fabric of the earth falls away and reveals the roiling inferno that lies behind it all, you won’t have time to let the marrow melt, or caramelize the onions, or pull any other high-cuisine moves.  You’ll have time to throw together a few ingredients – whatever is at hand – into the last burger you’ll ever eat.  Now, having said that, it’s the last burger you’ll ever eat.  And you’ll be damned if you’ll let it be pedestrian.  Even at the end of the world, you’ll have to compromise, to balance countervailing interests.

The Prime Burger at Redbird manages that. It is spartan in an indulgent kind of way, deceptively complex, intensely flavorful but stripped of pretense and unnecessary ornamentation.  This feels like the burger chefs will make when there is no one left to cook for.  If Howard Roark spent his life behind a grill instead of a drafting table, he would have aspired to create this burger.  It is the product of passion and craft.  Every ingredient serves a purpose.  Nothing is out of place.  The fact that it’s a crowd-pleaser?  That’s merely an externality.

The patty is pure Fraser: massive, marbled, loosely packed, pink and bloody.  It might be overwhelming, I guess, were it executed with anything less than perfect mastery.  But this is Neal Fraser, so it’s executed with nothing less than perfect mastery.  The remoulade is piquant, tart, and generously portioned (and why not?  You’ll want an extra scoop of sauce when the apocalypse is impending).  This sauce is a beautiful, rich, indulgent complement to the sumptuous, almost buttery, beef.  Aged cheddar drips like sap, so slowly that it forms an amorphous tendon that seems to connect patty to plate.  It’s creamy and thick, with a distant whispering sharpness.  There is a chile relish that adds a smoky sweetness (but almost no heat), and extra pickles to add more zip if you want them.

The bun is the burger’s weakest part.  A too-dry, too-thick brioche, it tasted a day old and was a bit too imposing for this burger.  The dryness of the thing wasn’t helped by the fact that it was flaked with sea salt.  It’s a noticeable imperfection, but the rest of the flavors are bold enough to compensate for it.  In the end, the burger hangs together impressively well in spite of a disappointing bun.  Besides, when judgment day comes, you probably won’t be too picky about the bun on your burger.

In case it isn’t abundantly clear, I liked this burger very much.  It’s big and brash, but is ultimately memorable for its relative simplicity.  It’s a really well-prepared, thoughtful offering.  It manages to achieve simultaneously simplicity and complexity, boldness and subtlety, immediacy and depth.  It’s a great burger.  Don’t wait until the end of the world to try it.

The Ratings
Flavor: 9.30 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 7.90 / 10.00
Efficiency: 8.70 / 10.00
Creativity/Style: 8.30 / 10.00
Bun: 6.80 / 10.00
Patty: 10.00 / 10.00
Toppings: 9.00 / 10.00
Sauce: 8.90 / 10.00
Balance: 9.30 / 10.00

Total: 88.20 / 100.00

Stout

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Alexandros Kagianaris and Charles Lew are pretty serious about casual dining. They envision neighborhood joint Stout as being a place where – to quote their website – “club goers meet the culinary elite for burgers and beer.” Leaving aside the fact that I’m not sure who fits into either of those groups, the thrust seems to be that they’re aiming to appeal to a broad swath of people. It’s one of those restaurants that’s trying to please foodies and philistines alike. They do it by using high-quality beef, and assembling burgers with interesting (but not too challenging) toppings.

Regardless, Stout has received its fair share of accolades. L.A. Weekly called its eponymous burger the ninth best burger in Los Angeles. And if there’s one thing we know, it’s that ninth is the new first. Anyhow, Stout has three locations: Hollywood (on Cahuenga), Studio City (on Ventura), and Santa Monica (on Santa Monica).

McKenna and I went to Stout’s Studio City location to put its bona fides to the test. Our trip was not without adventure: She got a burger with an over-easy egg on it; as she picked it up, the yolk split and spilled out of the bun like lava over the rim of a volcano, completely drenching her hands. It bears mentioning that she survived the explosion and took down the burger like a champ (even if it meant having hands so covered in yolk and sauce that she had to drink her beer through a straw. Which she did. Also like a champ).

For her trouble – or maybe just for her scintillating personality – our server really took quite a shining to McKenna (probably because she didn’t hear all the shit McKenna was talking about the evening’s playlist). They bonded over the course of the night, not always (albeit quite often) at my expense. But a dose of well-intentioned derision is a small price to pay for seeing someone’s hands coated in egg yolks like a vegan’s ideation of Jack the Ripper.

I’m digressing. The TL;DR version is that we went and ate burgers. One exploded. Beer was sipped through a straw.

The Place
Stout Burgers & Beer
11262 Ventura Boulevard
Studio City, CA 91604

The Order: The Imperialist (roasted tomato, ketchup, aged cheddar, mustard relish), cooked “pink” (as opposed to “not pink” – the other choice)

The Price: $11.00

The Burger
Let’s get this out of the way: I don’t know why they call it the Imperialist. I’m also fully aware that I didn’t eat the flagship burger at Stout, the one for which it earned such acclaim. Obviously, I will be back to Stout for its namesake burger, but I was jonesing for something a bit on the subtler end. So obviously, I ordered a burger called the Imperialist.

Like I said, I don’t know why the call it that. But I have an idea. I think it’s because they took a perfectly good, perfectly functional, perfectly traditional ingredient combination – cheddar, ketchup, and mustard – and invaded that tranquil space with some weird newfangled addition. Listen, roasted tomato is a dicey proposition in any context. Put it all up in the shit of a classic burger, and it’s just invasive (not to mention arbitrary).

It was aggressively smoky and then concentratedly sweet. The ferocious – almost saccharine – back-end of the tomato bled into the ketchup, brought out the sweetness of the (excellent) bun, and really accented the notes of fruit in the cheddar (simultaneously blunting its acidic and nutty quality), making a sunburnt sweetness the dominant element of the early part of every bite.

Both McKenna and I noticed that the patty was a little dry. This probably had something to do with the fact that it was coarse and loosely packed, which gave the meat’s juices room to escape. The bottom of the patty was coated in mustard relish, a weird but very pungent sauce that pretty much overwhelmed the finish of every bite.

My brown person bias maybe coming into play here, but I’ve never been a fan of imperialism. One of my friends – who shall remain nameless and blameless – argues that imperialism gave the backward masses of the developing world a sense for administrative efficiency and built us roads and rail (mind you, he’s 84% joking when he says shit like that). Be that as it may, I think the colonial footprint is a harmful one. Stout’s Imperialist, sadly, is no more successful.

The Ratings
Flavor: 6.10 / 10.00
Freshness/Quality: 8.40 / 10.00
Value: 8.10 / 10.00
Efficiency: 8.00 / 10.00
Creativity/Style: 6.10 / 10.00
Bun: 9.00 / 10.00
Patty: 7.00 / 10.00
Toppings: 6.20 / 10.00
Sauce: 5.20 / 10.00
Balance: 6.90 / 10.00

Total: 71.00 / 100.00

The Bowery

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In the age of Amazon and ATMs and self-checkout groceries, there is something to be said for good, old-fashioned customer service: a quick smile and a pleasant conversation is a depressingly cherished rarity in this day and age. Don’t get me wrong; I like Amazon Prime as much as the next guy – dat free two-day shipping doe – but it’s nice to be reminded that the old, human-centric way of doing things is still around.

I have similar feelings about the Los Angeles food scene. It’s nice to see young chefs bucking convention and innovating so bravely. Restaurants like Neal Fraser’s Redbird, Ari Taymor’s Alma, Chris Jacobson’s Girasol, and Kris Tominaga’s Cadet – just to name a few – confidently offer brave, inventive, challenging dishes. Parenthetically, you should check out all of those restaurants. This innovation is at the heart of the redefinition of cuisine in Los Angeles. But sometimes, in the midst of this new culinary renaissance of ours, it’s nice to go somewhere that reassures you that some people still have the capacity to make something beautiful out of the conventional.

The Bowery is such a place. Kevin, Shanil, and I have been going here for years. We usually pair it with a run to Amoeba Records. It’s been a tradition of ours; we do it any time the three of us are in town together. Today, we took Rumi along for the ride. When we arrived around 3 pm and found the door locked, we got emotional. It turns out, The Bowery doesn’t open on Sundays until 4 pm. Because of course it doesn’t. Anyway. We went to Amoeba and then came back at 4, hangry as all hell, for a long-overdue burger.

The Place
The Bowery
6268 Sunset Boulevard
Los Angeles, CA 90028

The Order: Bowery Burger (with cheddar cheese, bacon, avocado, sauteed mushrooms, and jalapeño)

The Price: $14 ($10 base, $1 per topping) before tax

The Burger
The Bowery is nestled in the heart of Hollywood – pretty much right at Sunset and Vine – which means you have to navigate hordes of some of the most aggressive hipsters on the face of planet earth to get there. Seriously, there was a lot of side boob (cool it with that shit, ladies). And ironic facial hair. And girls in wide-brim fedoras and circular-framed sunglasses. And frowning. It’s a stone’s throw from Amoeba Records, where – in a desperate gambit in my ongoing (and eminently unsuccessful) campaign to be hip – I bought the new Jamie xx record, to which, I quickly realized, I’m not cool enough to listen.

The Bowery holds itself out as a New York-inspired gastropub, which means it’s small, everything is written on chalkboards, and everyone wears all black. Thankfully, that’s where the similarities to New York end: The weather outside isn’t a disaster (i.e. hot and sticky or oppressively freezing), you won’t get yelled at for crossing the street, there are way fewer finance douche-bros, it doesn’t smell like sweat and trash in the streets, and my ex-girlfriend is nowhere to be found. I’m especially thankful for one of those things.

Anyway. The Bowery’s purported claim to fame is its burger. The weird thing about it, though, is that the composition of that burger is largely up to the diner. More on that in a second; first, let’s talk about the constants. The most noteworthy aspect of this burger is that it is served on an English muffin in lieu of a conventional bun. The muffin is toasted perfectly, the rim delicately blackened, the heart crisp but still fluffy. That toasting prevents the muffin from getting soaked through, but it is not so severe as to savage away the flavor of the muffin itself. The patty is between six and eight ounces of grass-fed beef, cooked to a sumptuous, dripping medium rare.

Besides that, the identity of this burger is largely dependent upon consumer caprice. The Bowery offers a choice of cheeses – blue, herbed goat, gruyere, American, and cheddar – toppings, for a dollar each – red onion confit, caramelized onions, onion rings, sautéed mushrooms, roast garlic, avocado, bacon, fried egg, roasted jalapeño – and sauces – spicy hickory barbecue, ranch, or aioli.

So there is a versatility here; the burger can mold to your mood and preferences. In many ways, it will be what you want it to be. But that arguably cuts both ways: if you aren’t sure what you want, it can be a little overwhelming. This problem, of course, is easily solved; you should only come to The Bowery if you have at least a vague idea of what you want.

But let’s be clear: There is no wrong answer here. All four of us got different burgers, and all four of us a) cleaned our plates with lustful relish, and b) were totally satisfied that we had made the best possible choice. My burger was topped with bacon, avocado, sautéed mushrooms, roasted jalapeño, and spicy hickory barbecue sauce.

No fewer than four strips of bacon, thick cut and fried to a snapping crisp, were wavy and perfectly fried.The avocado, soft and ripe, was cut into thin slivers connected at the bottom and spread like a Chinese fan. The intense flavor of the horde of mushrooms anchored the profile of the burger, complementing the beef gorgeously. The roasted jalapeño was delicately hot, bringing a subtle flavorful undertone and an enchanting, creeping spice to the finish of each bite. The sauce was sweet but sassy; it had the gentlest kick, and paired especially well with the jalapeño and bacon.

The remarkable thing about this place is that, whatever assortment of toppings you choose, the burger you get will be perfectly balanced. They have chosen their ingredient selections like a well-planned wardrobe; everything matches everything else. They are masters of proportion; they know how the ingredients operate in context, and so they know how to assemble them in any combination. That said, getting that perfect arrangement of toppings may cost you: at a buck each, they really can make this burger a pretty expensive experience.

Now, my borderline-cannibalistic hunger may have had something to do with it, and it may be averred that my objectivity is buckling under the weight of tradition. But conspiracy theories aside, this is a damn good meal. The Bowery claims to have the best burger in Los Angeles, and I can tell you: it’s not a ridiculous claim.

The Ratings
Flavor: 9.40 / 10.00
Freshness/Quality: 9.50 / 10.00
Value: 7.90 / 10.00
Efficiency: 8.40 / 10.00
Creativity/Style: 9.30 / 10.00
Bun: 9.40 / 10.00
Patty: 9.50 / 10.00
Toppings: 9.80 / 10.00
Sauce: 8.80 / 10.00
Balance: 9.90 / 10.00

Total: 91.90 / 100.00

Meat District Co.

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Pasadena is blooming. During my lifetime, Colorado Boulevard has morphed from a “hide yo kids, hide yo wife” zone into a charming little hipster-free facsimile of Silver Lake. A sprawling Intelligentsia Coffee anchors it, abutted by Indiana Colony, home to Cool Haus, Pressed Juicery, the Pie Hole, this one place that sells tea and spices and shit, and this one place that sells flowers and shit. One of the finest restaurants in Los Angeles (seriously, it’s world-rockingly good), Union, just opened up on – you guessed it – Union Street. Oh, and there’s an Umami Burger too. And while those spots do attract their share of carefully (almost convincingly) disheveled beautiful people, it’s nothing like, say, Venice.

Umami Burger, however, isn’t the only burger place that’s made its way into Old Town. Meat District Co. came all the way from Sydney to open up a location just down the block from Slater’s 50/50 (another burger spot). Intrigued by the carnivorous focus and urban-chic décor, Kevin and I went on a romantic little lunch date there. Kevin ordered for me, we split a garden salad…it was kind of adorable. Don’t hate us ’cause you ain’t us.

Anyway, our server was quick to a) conclude that Kevin and I were the cutest couple in the place, and b) tell us that this burger had been named the second best burger in Pasadena this year. And while Pasadena is a fine city with many a fine burger, bragging about that accolade (totally sua sponte, by the way) just felt a little pathetic. It’s kind of like the girl who tells you on the second date how into sports she is. It’s like, I get it. Just watch a Laker game with me, and I think you’ll prove the point. And plus, when a girl talks about being “into sports,” she really means she’s into posting Instagram photos of herself wearing child size jerseys and impossibly short shorts. The point is this: girls who are really into sports don’t talk about it.

Besides, who brags about second place, right? Anyway.

The Place
Meat District Co.
69 N Raymond Avenue
Pasadena, CA 91103

The Order: Cheese Burger and fries

The Price: $9.95 for the burger (lunch special) and $2.00 extra for the fries (yeah, I know – stupid)

The Burger
While I maintain it is still thoroughly lame for our server to have bragged about their micro-regional silver medal, I’ll happily concede (and report) that Meat District Co. makes a good burger. The patty is a half pound of Harris Ranch chuck and short rib. The chuck gives it a grill-ravaged hardiness, while the short rib keeps things tender and subtle. The bun is a well-toasted brioche with a honeyed roundness to it. It holds up well to all the toppings, which cling to it without soaking in. The aged cheddar is nutty, mellow, and substantial. The little gem and the tomato add a breezy freshness. The pickles, however, are insipid, and the house sauce – whatever it is – is overused and too heavy on mayonnaise. Worse still, the caramelized onions get lost in the monsoon of sauce, so their sassy sweetness – of which I caught just glimpses – is muted.

That last criticism is a little misleading, though. While the sauce is a bit overdone, this burger actually is quite well-balanced. In fact, the loss of the caramelized onions might actually have been a good thing, because they might have seemed a little out of their element here. See, this is fundamentally a traditional burger (raw onions would have worked well, adding the sharpness that the pickles didn’t quite bring). Caramelized onions would have stood out for the wrong reasons. So sure, the balance of this burger probably is accidental, but it makes for a happy accident.

At $9.95, Meat District Co. is a pretty good lunch option. I wouldn’t feel as comfortable paying $13 for it (which is the dinner rate), and the $2.00 extra for fries is un peu ridiculous (parenthetically, the fries were excellent). But coming out with a burger of this size and caliber for less than ten bucks is an unequivocal win. The lunch special is great value for money. The fries aren’t, but that’s a conversation they can have on the Los Angeles French Fry Project.

(On that note, a brief aside: some readers have pointed out that I don’t write about French fries enough. Leaving aside the fact that you should know by now that I respond horribly to criticism of any variety, I feel like only people from Idaho really care about potatoes enough to wax poetic about them and last I checked, I’m not Jack O’Connor.)

Anyway, where was I?

Whatever. Here’s the bottom line. This burger gets a lot of the big things right: the patty and cheese interface well together. The garnishes are thoroughly serviceable. The sauce is overbearing, but luckily ends up masking what otherwise might have been an unpleasant oddity. Things sort of fall into place and work themselves out, in spite of the apparent lack of much intentionality. That may not inspire confidence in the creative or culinary chops on display here, but the end product tasted good enough that I don’t care too much.

There are a lot of great places to get a meal in Old Town. There are a few places to get a burger, including the now national titan Umami Burger (when did that happen, by the way?). In spite of the abundance of options,  though, I’ll consider going to Meat District Co. for lunch again. But I’ll skip the fries. They just dampened the mood.

The Ratings
Flavor: 8.40 / 10.00
Freshness/Quality: 8.80 / 10.00
Value: 9.60 / 10.00
Efficiency: 8.90 / 10.00
Creativity/Style: 7.00 / 10.00
Bun: 8.00 / 10.00
Patty: 8.40 / 10.00
Toppings: 7.80 / 10.00
Sauce: 6.90 / 10.00
Balance: 8.60 / 10.00

Total: 82.40 / 100.00

Super Burger

IMG_3289To our wild and crazy generation, Hidden in Plain View describes a (very intense, vaguely scary, definitely bad) post-hardcore band from New Jersey. But in the age of Yelp and Urbanspoon and countless food blogs purveyed by narcissistic, self-obsessed foodies screaming ignored into the aether of the interwebs (WHO NEEDS THEM, AM I RIGHT), the phrase has kind of lost its currency in the culinary world.

One thing that kind of sucks about the electronic age is that the thrill of discovery is blunted by its inevitability. It’s refreshing, then, when a truly magnificent place slips through the e-cracks and manages to escape your attention. Then, you hear about it from an actual human being, you go there and discover a place to which you know you will return countless times in the future, and it feels pretty remarkable. It’s nice to actually find something, rather than just passively accumulating and half-processing information.

My friend Andy told me about Super Burger. His experience there left him pleasantly shocked. Because here’s the thing: This place has been around forever – like, seriously, decades – but has managed to escape the detection of anyone in our social circle (and my friends and I are not disinterested in burgers, in case you’d not noticed). I was skeptical going in; between the internet grapevine and my own deep roots in Pasadena, it was nothing short of inconceivable that I would have failed to hear about a place this good.

So we went. I got an avocado bacon cheeseburger. We agreed that Serena Williams is a) the finest individual athlete in America who isn’t named Michael Phelps, b) that she makes it nearly impossible to like her in spite of that fact, and c) lots of people who don’t like her are probably just uncomfortable seeing a minority succeed at what has so traditionally been a “white sport.” And we also agreed that the writing about her heading into the U.S. Open is going to be insufferable. Because ESPN. And we also agreed that Bill Simmons seems dangerously close to becoming a citizen (or at least a permanent resident) of Whiny Bitch Victim Complex Town.

What can I say? It was a productive lunch.

The Place
Super Burger
458 N Altadena Drive
Pasadena, CA 91107

The Order: Avocado Bacon Cheeseburger, Coke.

The Price: $8.95 (approximately)

The Burger
After my first bite, the thought that occurred to me was, “How the hell did I miss this?”

There are lots of different ways to categorize burgers, but patty size is a useful way. Some places – In-N-Out pops to mind – feature thin patties. They maximize surface area and season their meat really well. Then, there are what I think of as pub-style burgers, with thicker patties that depend more heavily on the flavor of the meat and the grill.

In-N-Out sets the bar for the thin patty burger. It’s a benchmark. Now, I haven’t eaten at Super Burger enough to be conclusive about this, but let me tell you one thing. This is the best short-order burger I have eaten at any place not called In-N-Out. I think the most telling thing here is that I would frame this review by comparing this place to In-N-Out.

The patty is a roughshod, hand-packed monster, probably weighing in at no less than a half-pound. There’s no short rib or brisket anywhere near this thing – it’s a budget burger – but somehow, it manages to be juicy, intensely flavorful, and delicious. The bun is wholesale. The lettuce and tomato are throwaways, the Thousand Island adds a necessary tangy punch but is otherwise unremarkable. The onions are just fine but should probably have been grilled (I’d imagine they’d have done this had I asked). The cheese is firmly B-plus stuff. The action happens with the four massive wedges of astonishingly fresh, firm, flavorful avocado and the perfectly crisp, sumptuously undulating strips of bacon. The interplay between this and the ever surprising beef is nothing short of astounding. Seriously.

Another point: Conventional wisdom will direct you to get the teriyaki burger. I have it on good authority that you should ignore the conventional wisdom. I can tell you that the avocado bacon cheeseburger is, by fast food standards, revelatory. Sure, it’s not a gourmet, grass-fed, organic, dry-aged situation. But over the decades that Super Burger has sat on that corner, leaning into a residential neighborhood, they apparently have perfected their craft. If In-N-Out sets the bar for the thin patty burger, Super Burger may well set the bar for the pub style burger.

I could wax superlative about this place for a while. I could tell you how you have to haul ass to Pasadena (and then keep driving east once you get to the cool part). I could Come Full Circle and tell you how this burger reminded me how good it feels to really discover a new place without the crutch of the Internet, or how this burger is like the Serena Williams of pub-style burgers, only without the shitty attitude (or reactionary racist blowback). And all that is true. But in all honesty, this is just a completely delicious burger that you should eat whenever you have a chance but are short on time.

The Ratings
Flavor: 9.60 / 10.00
Freshness/Quality: 8.50 / 10.00
Value: 9.70 / 10.00
Efficiency: 9.80 / 10.00
Creativity/Style: 8.20 / 10.00
Bun: 8.00 / 10.00
Patty: 9.60 / 10.00
Toppings: 8.20 / 10.00
Sauce: 8.60 / 10.00
Balance: 9.80 / 10.00

Total: 90.00 / 100.00