Haché

The Place
Haché (pronounced ah-shay)
3319 Sunset Boulevard
Los Angeles, CA 90026
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Depending on your affinity for the classics, you may have heard about Desert Trip, a music festival at the Empire Polo Club in Indio (home also to the Coachella Valley Music & Arts Festival).  Unlike conventional festivals, Desert Trip offered a lean lineup of classic rock luminaries: The Rolling Stones, Bob Dylan, Paul McCartney, Neil Young, Roger Waters, and The Who.  No industry neophytes here to soundtrack day-drinking; this was a headliners-only affair.

Almost immediately, this festival drew the derision of sneering millennials, likely still coming down from a tour in the Sahara Tent at Coachella (you know, artistically discerning social critics like these).  They called Desert Trip “Oldchella,” an incisive, hyper-literate critique of the low-energy sort who enjoys music festivals that feature musical instruments instead of computers vomiting out spleen-rupturing bass.

It’s tempting to conclude that there is a youthful condescension among our generation toward anything we regard as a relic of the past, a sort of reflexive regard for modernity, a respect based on nothing but the fact that a thing emerged from the sea of narcissistic home recorders and YouTube amateurs to seize some measure of notoriety.  That view maximizes convenience, but we often fail to see its fundamental flaws, fail to recognize that not all good things go viral, and not all things that go viral are good.

I have neither the time nor mind to attempt to unpack what animates this elevation of new over old, but I’m no less convinced that it exists.  I also wonder if that’s the reason people feel the need to present Haché as something that it isn’t.  See, if you are inclined to poke around Google prior to going to Haché, you might be misled.  Internet commentators have woven a web of half-truths about this place, for whatever reason. It’s not a dive; it’s rustic, they say.  It’s a French-inspired and bistroesque, they say.  They serve steak sandwiches, they say.  Don’t call them burgers, they say.

You’ll note, once you arrive and have ordered, that the above statements range from “pretty” to “categorically” wrong.  It is a dive.  There is nearly nothing in the cramped patio and sticky high-tops that is redolent of the breezy bistro you might have imagined.  The mesh window at which you order,and the t-shirt clad hipster that brings you your burger don’t evoke a Parisian bistro where sighing poets scribble elegies as much as a Bostonian Irish pub where townies punch out graduate students.

By the looks of it, this is a place you’ve been a hundred times before.  This is your dad’s dive bar.  There is no real attempt at novelty here.  This is Desert Trip, not the Sahara Tent.  It is more Steve Miller than Steve Aoki.  You get the point.  Regardless, Haché has been on my radar for a while.  Finally after much cajoling – guilting? – from my dear friend Greg, I met him, Bret and Alex there to try a burger.  Or a haché.  Or a steak sandwich.  Or whatever you might want to call it.

 

 

The Order: Karma Burger

The Price: $5.95

The Burger
Whatever Haché isn’t, it is, in many ways, essentially Silver Lake.  There is a winsome haggardness to the place.  You walk in feeling as though you have stumbled into the middle of a carefully structured, meticulously curated collapse.  A middle-aged man in a quarter-zip fleece sits near the corner, his beer barely dented, half-heartedly watching the Seahawks lose.  A young man with an undercut checks his phone compulsively, casting the occasional furtive glance doorward to see if whoever is meeting him has arrived yet.

The thought might occur to you that this is the least affected crowd that has ever gathered on Sunset Boulevard.  And sure, that may have something to do with the fact that it’s a rainy Sunday in Los Angeles, but it felt appropriate for this place.  There’s an agelessly genuine quality to Haché.  It’s not a place out of time, it’s a place without a time.  That may not make sense, but it’s as clearly as I can state it.

Of course, you don’t come to Haché for the atmosphere (at least, I don’t know why you would, with both Café Stella and Winsome a stone’s throw away).  You come for the hachés.  They are billed as French-style steak sandwiches.  Haché, of course, doesn’t call them steak sandwiches.  Depending on what part of the menu your eye darts to first, you’ll see them called hachés or burgers.  In point of fact, they’re burgers with patties made of ground sirloin steak.

That ground Angus sirloin patty is swathed in a weblike loose-weave blanket of American cheese and topped a leaf or two of bracing lettuce, a couple discs of vermillion tomato, translucent halos of red onion, and a thin glaze of Karma sauce, which tastes like a mashup of Thousand Islands and harissa-spiked mayonnaise on a hearty, earthy cracked wheat bun.

While the sirloin patty is often framed as something new and different, it really is more an attempt to elevate a classical form.  It renders the patty less greasy, more inherently flavorful, cleaner than its brisket or chuck cousins.  It is noticeably fresh, albeit a shade overcooked.  The seasoning – on the outside of the patty only – cannot fully compensate for the fact that the patty is too well-done.  Since the meat on the inside of the patty remains unseasoned, once you’ve broken through the outer crust, there isn’t much beneath it in the way of flavor.

The other garnishes are fresh, well-proportioned, subtle.  The onions, though raw, are not too sharp, offering a gentle pinpricking sting.  The lettuce is parchment-delicate, not crisp, not wilted and chewy.  The tomato is bright and succulent, a burst of freshness to wash over the finish of each bite.  And the sauce has a whisper of heat amid the creamy cool of the stuff, leaving a lingering suggestion of slow spice.

This burger is a nod to the classics.  It is different, but it’s not revolutionary.  Not forced.  It’s organic, tried and true.  Some might think that is something for which to apologize.  They might try and frame this to highlight some gimmick that might capture your attention.  They might try and make this sound like something it’s not just to make it sound fresh.  They might be tempted to swap out the resplendent Telecaster for a Korg.  They should resist that temptation.  Drum machines have no soul.

The Ratings
Flavor: 8.70 / 10.00
Freshness / Quality: 9.20 / 10.00
Value: 10.00 / 10.00
Efficiency: 9.00 / 10.00
Creativity / Style: 7.00 / 10.00
Bun: 8.10 / 10.00
Patty: 8.50 / 10.00
Toppings: 8.00 / 10.00
Sauce: 8.20 / 10.00
Balance: 8.60 / 10.00

Total: 85.30 / 100.00

The York

The Place
The York
5018 York Boulevard
Los Angeles, CA 90042
img_0674It feels like October has been all about the Chicago Cubs and their date with destiny.  They’re the latest beneficiary (see also 2004 Red Sox, 2010 Giants, 1998 Jay-Z) of the special treatment we give to baseball teams that are awful for long enough.  After over a century of losing, the Cubs – finally – are good.  And like the Red Sox, the Giants, and Jay-Z before them, the entire nation (but for we select few who don’t share the impulse for alacritous bandwagoneering) will love them until they finally win.  Then we’ll revile them for doing the very thing we hoped they’d do all along.  To be a “lovable loser,” you have to keep losing.

I watched the final innings of Game 1 of the National League Championship Series at The York, which was a Highland Park mainstay long before Highland Park was cool.  It’s a vaulting industrial space, where Edison bulbs throw barely enough light on roughly erased chalkboards sporting the menu of the day, and onto the carmine bricks behind.  The one television is located inconveniently at the back end of the bar, obscured by something from almost any angle.  It was there that I watched Adrián González smack a game-tying single, and then shortly thereafter, Miguel Montero be spoon-fed a hanging slider with the bases loaded.

Much like the Cubs, the York has established itself as a good-natured neighborhood standard.  And much like the Cubs, it’s kind of hard to see what all the fuss is about.  Besides the cool (but imitable) vibe, the cocktails are weak, the food is fine, and the staff just mostly competent.  The clientele is a weird mashup of young fathers and old bachelors, thirty-somethings all.  It’s as if the York is the last place where those two demographics can meet and remember times not too many years ago, when their lives looked more alike.

Kristen, Tristan, Peter, Shahin, Kelsey and I took a trip to the York for dinner to catch the end of the baseball game before going to Creep LA, which – spoiler alert – was basically me paying $53.50 to be called “daddy” by an emo kid in lingerie and then locked in a closet the size of a moving box (with two other people, one of whom, blessedly, was Kelsey) by a small man in yoga pants.

The Order: Cheddar Burger, medium rare

The Price: $15

The Burger
The York’s burger is served on Bread Bar brioche, a heavily marbled sirloin and chuck hybrid patty, rocket (which, more or less, is hipster for “arugula,” which, more or less, is douchebag for “bitter spinach”), harissa aioli (harissa being a North/West-African chili paste that you may have run into at Moun-Of-Tunis, Koutoubia, or a similar spot), and pickled onion.  And cheddar, obviously.

Just by reading that list of ingredients, you may have the impression that there’s a lot – potentially too much – going on here.  That was my concern going in, too.  Imagine my surprise, then, when the burger actually wound up being strangely tame on the palette.  There was no pinching bitterness from the flaccid arugula, no astringent sourness from the too-soupy onions, no blunted bite from the aioli.  Everything got mixed together, reduced into some tasteless primordial ooze, the culinary equivalent of Cage’s 4’33”.  And to top it all off, there wasn’t even the buttery, eggy, cloudlike sweetness you would expect from the brioche (though this had more to do with the fact that it tasted a day old than any fault of poor Bread Bar’s) it was crumbly and Gobi-dry.

And that’s a shame, considering the patty was quite well-conceived.  Heavily marbled and a well-executed medium rare (evenly rouge-hued and barely bloody), the flavor was rich, the texture hardy and coarse.  It was crisped on the outside, but retained its juiciness exceptionally well.  Just like Charlize Theron in The Devil’s Advocate, it deserved a better supporting cast (instead, we got Shouty Al and dead-eyes Keanu; I’ll leave it to you to decide whether that’s a metaphor or not).

Were I predisposed to being snarky, I’d say the good news is that the burger York was only the third-most unpleasant thing that happened to me that night.  But since I am miles above snark and the solicitation of cheap laughs, I’ll leave it at this: Notwithstanding all the neighborhood affection, all the history, all the prescient neo-industrial decor, the York’s burger left a bad taste in my mouth.  Maybe not quite as bitter and caustic as Miguel Montero left, not quite as parched and salty as being locked in that closet, but the fact that those three things are part of the same conversation probably tells you all you need to know.

The Ratings
Flavor: 7.20 / 10.00
Freshness / Quality: 8.10 / 10.00
Value: 6.90 / 10.00
Efficiency: 7.00 / 10.00
Creativity / Style: 8.50 / 10.00
Bun: 4.80 / 10.00
Patty: 9.40 / 10.00
Toppings: 7.60 / 10.00
Sauce: 7.30 / 10.00
Balance: 7.00 / 10.00

Total: 73.80 / 100.00