Manuela

The Place
Manuela (at Hauser Wirth & Schimmel)
907 East 3rd Street
Los Angeles, CA 90013
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Having been a child at one point or another, you probably have at least a glancing familiarity with the indolence of the righteous.  Remember?  It would strike after you raked the leaves in the garden without being asked, you took out the trash sua sponte, you cleaned your plate and excused yourself to wash everyone else’s plates.  In that situation, if you were like a great many of us (I suppose I’m not speaking to the self-anointed paragons of virtue here, but then, I rarely am), you would perform that task with relish.  When your work was done and your good deed was discovered by an authority figure or other beneficiary, you would bask in the inevitable grateful praise was showered upon you.  What a thoughtful thing to have done!

But after that, if you were anything like me, a sense of self-satisfied complacency would set in.  You had done a good deed, and you realized that the performance of such a deed insulated you against criticism for a time.  So you might stretch the rules regarding bedtime, or the brushing of teeth, or the cleaning of one’s room, or one of the other chores or tasks which customarily were expected of you.  And if, say, your mother reminded of these other obligations, you might not say anything, but you would be stunned that more could be expected of you.  You might think, or even grumble under your breath, “That trash didn’t take itself out, you know.”

Sometimes, going above and beyond the call of duty breeds a sense in many children (and an alarmingly high proportion of adults, actually, come to think of it) that they’ve established a line of credit, that they’ve been given a measure of goodwill, which they can use to counterbalance a certain measure of nonfeasance (or even malfeasance, depending on the optimistic boldness of the child in question).  Not, I suppose, unlike the adult who justifies three slices of pizza and a milkshake with twenty minutes at the gym.

I’ll get back to that in a minute.  In the meantime, let’s talk about Manuela.

Manuela is an airy, indoor-outdoor space in the sprawling new Arts District gallery, Hauser Wirth & Schimmel, helmed by Soho House luminary Wes Whitsell.  Manuela’s cuisine is a curious blend of cuisines.  If you press me, I’ll tell you Manuela is fundamentally a southern restaurant (the presence of pimiento cheese, biscuits and gravy, grits, collard greens, black-eyed peas, and Carolina gold rice renders that conclusion inescapable), but with heavy touches of Tex-Mex (see, e.g., beet tostada and chilaquiles) and Californian influence (as evidenced by the general seasonally driven, farm-to-table vibe, and the food first / technique second simplicity of the dishes).

For a medium-term denizen of the American Southeast with a strong lingering affection therefor, I was drawn to the menu by its southern flair, which gave me a big-time kick of nostalgia.  But one of the most universally eye-catching items on the menu has got to be the deer burger.  It is that item that ultimately really commanded my attention.  Kelsey and I went to check it out.

The Order: Deer Burger, medium rare

The Price: $16.00

The Burger
The deer burger advertises itself as coming with “all the fixins” (seriously).  That means it’s an all-deer patty with strips of lettuce, beefy and deep-red tomato, and a healthy dollop of a sauce consisting of roughly equal parts mayonnaise and dijon mustard.  On the side are a couple rings of raw red onion and two pieces of pickle which aren’t long enough defensibly to be called “spears,” so think of them as “daggers.”  The burger is served on a milk bun (more on that later).

Right off the bat, there are two pretty remarkable – and unexpected – things in play here.  First, the patty is deer.  That gives it a gamey, richly marbled texture, and a musky, sweet roundness of flavor that beef could never provide.  They recommend it medium-rare, and for a patty of this size, that is the perfect recommendation.  This patty is substantial, pink, bloody enough, and genuinely complex and flavorful.  It is a stellar centerpiece.  I approached this dish with a suspicion that the deer patty may be a gimmick.  It may be, but it is a delicious one.

The second lovely oddity in play here is the bun.  A milk bun is a kind of roll native to Japan (Hokkaido, specifically).  Roux is used as a starter, and these things have the heft of brioche but consistency of cotton candy.  The poppyseed-dusted crust of the thing will look familiar enough, but the gossamer, cloudlike sweetness awaiting you after the first bite will surprise and delight you, I promise.

So, in giving us a succulent deer patty and a delicious and unique bun, Wes Whitsell took out the trash and washed the dishes without being asked.  Sadly, that’s where the virtue of this burger ends.  The sauce, an uninspired mustard-mayo combination, is pedestrian on the tongue.  The tomato is wilted and chewy, rather than fresh and juicy.  The lettuce is merely there, cut into wide strips and arranged thoughtlessly beneath the patty.

It is thus that Manuela’s burger, an offering with so much promise, falls victim to the indolence of the righteous.  By presenting a strong patty and an estimable bun, this burger expects us to forgive its shortcomings in every other respect.  Few would.  The garnishes don’t disappoint in a vacuum; they adversely affect the overall quality of the burger, giving the palate little in the way of evolution or longevity.  Each bite is a stagnant experience, failing to develop or provide the eater with any arc.  You’ll taste bun and meat, and then you’ll be left wondering what might have been if the garnishes were on par with the basics.

Manuela’s burger is a thing of almost staggering potential, but like so many promising but lazy children, it fails to live up to that potential.  Instead, it stands as a stark reminder that overachieving in some areas does not excuse shiftlessness in others.

The Ratings
Flavor: 8.10 / 10.00
Freshness / Quality: 8.90 / 10.00
Value: 7.80 / 10.00
Efficiency: 7.80 / 10.00
Creativity / Style: 7.30 / 10.00
Bun: 10.00 / 10.00
Patty: 10.00 / 10.00
Toppings: 6.30 / 10.00
Sauce: 5.90 / 10.00
Balance: 7.60 / 10.00

Total: 79.70 / 100.00

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Sunny Spot

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The 405 freeway is maybe best described as a piece of hell that Los Angeles chose to annex in 1964.  It (along with bananas-high taxes) is the price we pay for living in a sun-soaked paradise: a throbbing vein of gridlock, on which – at the best of hours – brake lights pulse rhythmically.  Quite often though, it’s worse, and the string of red lights in front of you looks like a fluorescent snake if you squint.

For those who live in Los Angeles, the 405 is a conversation piece.  When I meet friends for a meal in Santa Monica or Venice, inevitably I will describe to them either a) what a tragedy the 405 is today, or b) how I skillfully, creatively managed to circumvent the 405.  These topics are staples of the conversational diet in this town.  And they make us an easy target.

I recently spent a Saturday morning – and part of the afternoon – on the 405, driving to brunch at Sunny Spot.  My interminable journey through the gridlock (which, in familiarly epic largesse, spilled indulgently back onto the 101) found me listening to Loveless on repeat and texting my friend Bret with my car in park (and just to completely embody the stereotype, I’ll share that I was between Getty Center and Sunset – nightmare).

Unless you live on the west side, you’ll have to endure some version of this drive to get to Sunny Spot.  When you arrive, you’ll find a classically Venice exercise: peeling turquoise paint on which the name of the restaurant boldly is emblazoned in coral-colored cursive (think the colors of the key at the San Antonio Spurs’ arena circa 2000), a meticulously curated shabby-chic beachside dive aesthetic.  It tries hard not to try hard.

You’ll likely have lost your reservation by the time you arrive (assuming you had the foresight and misplaced optimism to make one).  So you’ll have to wait among aspirant screenwriters and armchair critics; almost impressively basic young women with protein powder-dusted boyfriends following close behind; post-surf stoners, desperately hungry and wondering why they hath forsaken Taco Bell.

It goes without saying that a tiny proportion of guests will be talking to one another.  After all, to our generation, a meal with friends merely means sitting at a table with other people who are also glued to their Instagram feed.  True to form, you’ll see the patrons of the restaurant being alone together, side-by-side but absorbed in Pokémon Go or composing sarcastic YouTube comments or adding this “memory” to their Snapchat story or whatever the intimacy-killer du jour is.

You’ll try and push this depressing portrait of collaborative loneliness out of your head.  You’ll get a greyhound from one of the surprisingly attentive bartenders (you won’t get a Bloody Mary, because they aren’t fantastic here, and you won’t get a mimosa because mimosas are sort of silly).  You’ll steep in the charming, faux-rustic atmosphere of the place, the loose and warm summer shade.  If you’re the type, you’ll lovingly muss your hair and frame a selfie or two.  You’ll wait longer than you should for a table, and do your best not to wonder if it would be easier to get a table at Providence than here.  Then you’ll remember that you should relax; it’s the weekend, and the weekend was made for wasting time.

The Order: Double Cheeseburger

The Price: $15

The Burger
The reason I bring up the 405 and the whole look of Sunny Spot is because I have to talk about them to talk about this burger.

The 405 is not just a freeway.  Well, on the surface it is.  It’s a few lanes arranged in a predetermined path, peppered by ramps every few miles.  But dig deeper, think harder, and you might be surprised with what you realize.  The 405 forces us to confront the ironic truth that, to get somewhere, we have to accept going nowhere for a while.  It wrenches us from the stupefying, swipe-right torrent of instant and meaningless gratification that occupies so much of our time and thought.  It pulls us away from the relentlessly interconnected world and makes us confront our own thoughts.  It demands the one thing so many in this generation lack: patience.

My point is that the 405 isn’t what it seems on the surface, and if you think about it in the right way, you can understand how sitting in traffic actually is a blessing, an opportunity for growth and reflection that has become vanishingly rare as our world becomes a giant touchscreen.  At the very least, it can show you that often times, there’s more to things than what you might see from a cursory look.

Sunny Spot is sort of like the 405 in that way.  If you weren’t looking all that hard, you’d see a beachy Venice restaurant with a gregarious color scheme.  You might miss the subtleties at play here.  Their brunch menu features standard items with haute tweaks.  Grana Padano in an otherwise unremarkable chop salad.  Crisp chicharron on the Cuban pork sandwich.  A sunny egg on the BLTA.

This is a place that quite clearly is trying to give you what you want in a way that’s better than you wanted.  They want to blend the familiar with the high-level.  It’s not just a beachside shack; it’s a place that is dedicated to the marked – if incremental – heightening of tastes.  This is admirable, and an especially tall order when your target audience is so often obsessed with the banal and unchallenging.

What I’m trying to get at here is the (weird, semantic) distinction between being complicated and being complex.  The 405 is complicated because it introduces logistical uncertainty in my life.  Because there are so many damn cars on it, I’m late for any plans that involve me taking the 405.  But the 405 is complex because it makes me feel something every time I’m on it, and exploring those feelings makes me think more deeply and more critically about the world around me and my interaction with it.

Sunny Spot itself is uncomplicated – it’s a simple enough formula of beautiful, precisely disheveled people and a milieu to match; but it’s complex because it seems to be at least attempting to subvert and refine the unsophisticated impulses of the very clientele to which the place – at least aesthetically – caters by subtly altering the familiar.

How does this distinction apply to burgers?  Well, it’s easy to make a burger complicated by fettering it with a slew of features.  But complexity isn’t about the number of variables in play; it’s about the depth of interaction between those variables, and it’s really about the way the thing makes you feel, what it arouses in you when you take a bite.  Sunny Spot rejects being complicated in hopes that it might achieve subtle complexity.

In eschewing all the traditional trappings, Sunny Spot is trying to challenge your preconceptions of what is indispensable on a burger.  Lettuce, tomato, ketchup: these are distractions.  Sunny Spot presents a burger with a spare flavor profile.  By reducing the number of ingredients, the goal seems to be to heighten subtle interactions rather than presenting an amalgam of various flavors.

This burger places two hefty patties smeared with American cheese front and center.  This centerpiece is rounded out with dijonnaise, pickles, and caramelized onions, all of which is sandwiched between two brioche buns.  Note that this hits every one of the basic taste triggers: sour (pickles), sweet (dijonnaise and onions), bitter (onions), salty (beef), and umami (beef and cheese).  This burger touches all the bases without giving too much of anything.

The good news is that this burger is efficiently conceived and executed.  It’s a competent exercise in lean construction.  But that’s all it is: just craft.  This burger clearly wants the diner to do the work of figuring out how these flavors are put together.  That doesn’t stop it from being good.  But it precludes greatness.

A great burger will give you a window into the mind of the person who made it.  It might even arouse memories, feelings, thoughts.  It will show you something or make you feel something.  The best food isn’t that which you can appreciate as a well-formed study in culinary craft.  It’s the food that enriches you somehow, connects with you individually, feels like it was made for you.  This burger will mean the same thing to everyone who eats it.  Few will abhor it, none will yearn for it once it’s gone.  It’s a pleasant, but eminently duplicable, experience.  As far as it goes, it’s great.  The problem is that it just doesn’t go all that far.

In this case, the distinction between complicated and complex is purely academic.  This burger is neither.  Relatively few ingredients interact in predictable, uninspired ways.  The beef and cheese overwhelm the flavor profile.  The brioche is a touch dry.  The dijonnaise and pickles are barely perceptible, so any subtle interaction between them is a whisper in a thunderstorm.  The onions are unevenly distributed on the patty, providing pockets of soupy bittersweetness.  None of this is offensive – in fact, the toppings themselves (especially the dijonnaise, oddly enough) are all quite good – but the ingredients simply stand side by side without ever cohering.  This is an orchestra tuning, not playing a symphony: the talent may be there, but the real show hasn’t started yet.

This burger was not made for you.  It was made for everyone.  It is always correct but never remarkable.  It will be good to everyone and great to no one.  Fairly, you may not care about the fine-grain distinctions between complicated and complex.  In that case, know this: you will neither regret ordering this burger nor crave it again.  But it won’t make you feel anything.  And it certainly won’t make you forget that drive.

The Ratings
Flavor: 8.20 / 10.00
Freshness/Quality: 9.20 / 10.00
Value: 7.10 / 10.00
Efficiency: 5.20 / 10.00
Creatvity/Style: 7.80 / 10.00
Bun: 7.80 / 10.00
Patty: 8.90 / 10.00
Toppings: 8.70 / 10.00
Sauce: 9.00 / 10.00
Balance: 7.30 / 10.00

Total: 79.20 / 100.00