NoMad Hotel: Lobby

The Place
The NoMad Hotel
649 South Olive Street
Los Angeles, CA 90014

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It’s an open question as to precisely who is cool enough to be seen in the new NoMad Hotel.

The lobby is a sight.  Entering, you’ll feel like you’re walking onto the set of a Luhrmann film.  It’s cartoonishly opulent with vaulting, ornate ceilings, stuffed game birds perched in the center of the action, gaudily printed sofas, filigreed mezzanine (home to another, more serious restaurant), and a flower arrangement that might best be described as the vegetational equivalent of a Kanye West album.  Think Hearst Castle if the decorative chaos were a smidge (but only just) more contained.

The menu is equally explosive.  Four pages of cocktails, including shareable affairs, ensure that all who take a table here leave lubricated.  The dinner offerings, while leaner, are as eclectic as the decor.  Scallops, diced, soaked in yuzu, and sprinkled with toasted pistachio, live right next door to boneless hunks of fried chicken with chili-lime yogurt.

I don’t doubt that the culinary spirit behind this restaurant is genuine.  But when you walk into the lobby, there is a moment after you’ve met the eye of the statuesque concierge, before the warm–is it contrived?–smile breaks, where you’ll feel an almost imperceptible sense that he or she is looking straight through you.  It may be that you aren’t being judged for your “swagger” (whatever that actually means).  But you also wouldn’t be totally off the reservation if you felt as though you were.

But anyway, I found myself in this den of practiced cool, nestled beneath that maximalist flower arrangement, nursing a cocktail made with beets and bourbon (followed by one with pisco and sheep’s milk, which I humbly but enthusiastically urge you to work up the courage to try), flanked by a viciously haughty European couple on one side and a duck-facing pair of selfie-snapping millennial girls on the other, imbued with the singular tranquility of a man utterly out of his element but who draws deep comfort from the knowledge that he has more than what he needs to feel at home: his best girl and a cheeseburger.

The Order: Dry-Aged Beef Burger

The Price: $22

The Burger
When I consider how ostentatious the decor is, and how concerned every person in this establishment seemed with their appearance, I’m even more shocked at the unpretentious simplicity of this burger.  It is served on a board with only a few spears of lightly pickled and sagitally cut root vegetables accompanying it.  The patty is thick–I’d guess somewhere between one-third and one-half of a pound before it feels fire–and medium-rare red.  And to be sure, the patty will remind you of the virtues of eating a dish like a cheeseburger at a restaurant that styles itself as high cuisine.  The preparation was close to immaculate: it was juicy but not overly bloody, and the patty was substantial and structured without being too gamey; after a few moments in your mouth, it yields to the amylase and melts gracefully, retreating to the background to let the cheese and red onion take center stage.

Those three ingredients play harmoniously with one another, with the sauce acting as a true garnish more than a driver of flavor: it’s aromatic and textural, contributing to the mouthfeel of each bite rather than dominating the taste.  Like a perfectly crafted martini, you’ll be constantly amazed at the degree to which preparation, ingredient quality, and balance influence the quality of a burger.  And not unlike a cocktail, this burger is no better than its worst ingredient, which, in this instance, is the bun.  That is not to say the bun is affirmatively bad, but it certainly is nothing special.  This burger yearns for a less obtrusive bun; something with less volume, something less present.  If you’re like me, you’ll find yourself thinking of what might have been if they’d swapped out the brioche for an English muffin.  Sure, that’s a little 2007, but the food isn’t supposed to be trendy–just the people.

Right?

In any event, I wouldn’t recommend skipping the burger, but I also would have trouble begrudging your decision to get another Sakura Maru instead and then take your leave of the cool kids and wander over to Halal Guys.

The Ratings
Flavor: 9.60 / 10.00
Freshness / Quality: 10.00 / 10.00
Value: 6.80 / 10.00
Efficiency: 7.10 / 10.00
Creativity / Style: 8.20 / 10.00
Bun: 7.50 / 10.00
Patty: 9.80 / 10.00
Toppings: 9.30 / 10.00
Sauce: 9.00 / 10.00
Balance: 9.70 / 10.00

Total: 87.00 / 100.00

 

Fritzi

The Place
Fritzi
814 Traction Avenue
Los Angeles, CA 90013

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I remember when Give Up by the Postal Service came out.  I was a sophomore in high school.  It was before winter formal.  That particular winter formal was to be a rare triumph for me in the romance department.  I took one of the prettiest and most popular girls in the freshman class.  Unfortunately, as it turned out 1) I wasn’t very attractive (please indulge my optimistic use of the past tense), 2) she was out of my league, 3) I’m inveterately and painfully awkward, and 4) teenagers are a heartless sort.

The result: she bolted as soon as we arrived, and spent the entire evening with confident, attractive junior alpha males who played sports and got bad grades.  Meanwhile, I, the archetypal beta male, sat on a bench staring into a swimming pool, waiting for high school to end, and playing various tracks from Give Up in my head to pass the time. This admittedly depressing scene was interrupted when I was rescued by my friend David and his date Sara (incidentally, about halfway through “Clark Gable”).

I still wonder why that album came into my head, especially considering my tortured relationship with it.  I hated to like Give Up.  See, some Death Cab for Cutie fans were nervous when Give Up dropped (these were the Sub Pop days, when Death Cab fans were less numerous and more proprietary than today’s breed).  Publicly, we worried side projects portend artistic restlessness, or worse, stagnation, that they threaten to reveal a beloved artist reduced to repackaging old ideas instead of presenting new ones.

Privately though, we’d admit that our real issue wasn’t artistic; it was that side projects have the whiff of infidelity.  Death Cab fans liked to envision Ben Gibbard poring over ragged spiral notebooks scribbling the lyrics to the next “A Lack Of Color,” not seeking new modes of expression.  Him having another band felt like a betrayal.

What an odd feeling. It’s not as if I didn’t love Ben Gibbard just because Give Up came out.  It’s just that the release of Give Up made me face all facets of that love, even the ugly ones: affection, loyalty, fear (of change and of loss), comfort, complacency, possessiveness, jealousy.  The only thing more frightening than watching someone you love change is the prospect of getting left behind somewhere along the way.  So I listened, with layered trepidation.

I find these feelings have survived in me, and they resurfaced again recently when Neal Fraser diverted his attention from Redbird to give Fritzi the full sit-down restaurant treatment.  When Fritzi became something more than a whimsical pop-up or a window at Arts District Brewing, that familiar proprietary jealousy, that envious dogma of mine, was impossible to escape, even though culinary side projects often work out just fine.

The Order: Fritzi Burger

The Price: $11.50

The Burger
Maybe you’ve never heard of Fritzi.  It would be hard to fault you, actually.  It first surfaced as a pop-up, then soft-opened as a practically nameless take-out window nestled in a corner of Arts District Brewing, where everyone from the merely buzzed to the blacked out could partake in some high-class, high-carb hangover prophylaxis.  The only signage to speak of was a large marquee above the window that glowingly admonished all passers-by: “DON’T FORGET TO EAT.”

By the time Fritzi actually opened a dining room directly next door to Arts District Brewing (serviced by the same kitchen as the take-out window; the two spaces are less adjacent than they are interlocked), it would have been easy to not notice.  There was almost no fanfare; besides, we’d been eating off that menu for months.

But Fritzi commands attention.  It is the brainchild of Neal Fraser, who ranks among the most deadly serious chefs in the city.  The fare is fast-food inspired and fundamentally uncomplicated.With quintessentially Arts District pretentiousness (i.e., trying far too hard to project a laid-back, industrial Bohemian charm), Fritzi will tell you they serve “artisanal nosh.”  That means no of-the-moment crudo, no robust and hearty braised goat gemelli, and – sadly – no peri-eponymous (I can’t resist making the epunymous joke) tray of veal.

Nothing here is a signature dish.  This is an off-duty project, a glimpse at what Neal Fraser might make at a cookout – nothing too high-minded…but, well, he’s still Neal Fraser.  As such, expect sophisticated, subtly reimagined classics.

The Fritzi Burger is, for lack of a better term, so Fraser.  Each component of the conventional burger is rethought, elevated.  This burger offers a hybrid patty (Nueske bacon and beef) that is given ample (viz., nine hours) sous vide time; a generous smear of Fontina fondue which offers a gooey, honeyed nuttiness; a sweet Calabrese relish with a whisperingly slow-hot finish; a fresh salve of mild thousand island; and iceberg lettuce to add cooling textural contrast.

The patty is a masterstroke, a subtle, intensely flavorful execution of an idea that sounds excellent in theory but often is butchered grotesquely in practice.  The Nueske bacon imparts a smoky, marbled dimension to the beef, evoking the faintest thoughts of a Texan barbecue pit.  The fondue creates a sumptuous, almost silken coating around the patty, mild and comforting.  Both sauces are excellent, and work well enough in concert with one another.  They offer a few redundant notes, but ultimately elevate the entire experience.  I was glad for the lettuce, if only because it offered a bit of complexity in a burger that otherwise verges on textural monotony.

While Fraser excels in reimagining individual ingredients, he sometimes almost loses sight of the forest for the trees.  It’s fine to reshape each piece of a puzzle, especially if you improve each one; but change them enough, and they won’t fit together.

In the case of the Fritzi Burger, that’s just a distant threat – this burger hangs together well, never veering into incoherence.  But it also is a mildly unsettling dish, because – as a whole – it doesn’t always feel completely intentional.  But existential niggling aside, this burger is stellar, not to be missed, and yet another shining example in a litany of Neal Fraser’s innovative genius.

Ultimately, no matter how rabid a Death Cab fan I was, I listened to Give Up.  I couldn’t help myself.  In my more honest moments, I recognize it as a superior product to solidly (maybe conservatively) 85% of Death Cab for Cutie’s oeuvre.  But even short of that admission, I know I put aside my feelings of betrayal on behalf of Gibbard’s bandmates because I wanted to understand what was compelling enough to divert his creative focus.  I didn’t really listen because I wanted to.  I listened because I had to.

So if you felt similar vicarious betrayal when Chef Fraser took time away from Redbird to launch Fritzi, you probably also feel a similar morbid curiosity regarding what Fritzi is all about.  Succumb to it.  This burger may not be better than 85% of the menu at Redbird, but it is too good to be missed owing to proprietary hipster envy.

The Ratings:
Flavor: 9.60 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 9.00 / 10.00
Efficiency: 8.40 / 10.00
Creativity/Style: 10.00 / 10.00
Bun: 8.40 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.10 / 10.00
Sauce: 8.70 / 10.00
Balance: 8.90 / 10.00

Total: 91.10 / 100.00

Petit Trois

The Place
Petit Trois
718 North Highland Avenue
Los Angeles, CA 90038

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I was talking to my friend Peter last week about Petit Trois.  He went there with his wife recently, and ordered the omelette.  I’m not sure Peter is an omelette connoisseur, but he certainly is an educated enthusiast.  Anyway after a few bites of their omelette – a facially pedestrian offering with nothing more Boursin (yes, from the box) pepper cheese and a dusting of chives  – his wife asked if it was the best omelette he’s ever had.  “No,” he replied, “it’s the first omelette I’ve ever had.”

That’s what makes Ludo Lefebvre special.  His strength is not so much in wildly innovative concepts (though one trip to Trois Mec will show you he’s no slouch in that regard), but rather in expression.  Whatever the concept, from veal belly with crispy artichoke on down to a double cheeseburger, Lefebvre cannot be matched in execution.  Each dish is prepared with such skill and care, that his food has the potential to transcend quality and establish itself in your mind as an archetype of what a certain dish should be like.

Ludo Lefebvre is the rare chef who can make a simple dish feel definitional.  Not every dish achieves it, but when one does, you feel it, and to describe it is really just to speak normatively about how every dish of that kind ought to taste.  I’ll stop short of saying that his best offerings are infused with the intent of the divine, but the thought occurred to me.

The Order: Big Mec

The Price: $18

The Burger
Even if the name Petit Trois isn’t immediately familiar to you, you likely know more about it than you realize.  It’s the daughter restaurant of Trois Mec, at which reservations are famously difficult to secure, but which offers among the finest tasting menus in the city.  Petit Trois, then is an approximately Le Comptoir-sized appendage to its venerable – albeit only marginally larger – parent.  Though the restaurants have markedly different personalities, they share more than a wall; they have a common creative nucleus: Ludo Lefebvre teams with Los Angeles culinary power pair Jon Shook and Vinny Dotolo (the minds behind Animal, Son of a Gun, and Jon & Vinny’s) on these two gems tucked away in a strip mall behind a gas station.  Don’t let the understated location fool you, though – this part of mid-city is a culinary hotspot.  Just across the street is the mighty, higher-profile Mozzaplex, where Nancy Silverton et. al. have been slinging really important food for decades.

Roughly speaking, Petit Trois is a French lunch counter.  Reservations are not accepted, and the menu is a cheesy, framed and laminated piece of printer paper.  They serve comfort food which oozes with nostalgic sentimentality (for instance, every Sunday, Ludo Lefebvre – continuing a family tradition – does a chicken roast, where a half chicken is offered atop mirepoix, a bed of rough-cut vegetables redolent of a French country table).  The dishes are, in concept, often childishly simple.  Confit-fried chicken with bitter-cool frisée.  The aforementioned omelette has a flavor profile simple enough not to overwhelm my five year-old niece, but a subtle, buttery complexity that would floor just about anyone.

The cheeseburger is similar.  The name is a tip of the cap to an iconic – though hardly estimable – progenitor, and the inspiration, weirdly enough, is discernible.  The Big Mec is a double cheeseburger featuring two patties, Tillamook cheddar, all utterly drenched in Russian mayonnaise and house-made bordelaise sauce jammed between two brioche buns.  This burger is a study in messy decadence.  It bleeds sauce over its edges like a fountain.  The bottom bun is coated with the two sauces but somehow not soggy, and incredibly, never even threatens disintegration.

The concept here is to unify simplicity and excess.  At first blush, that might seem paradoxical, but it works in practice.  This burger is decadent without being overwrought.  It takes simple ideas and presents them in a maximalist fashion.  It is the culinary equivalent of “Untitled,” the first song off Interpol’s debut, Turn On the Bright Lights.  In that song, Paul Banks repeatedly intones the promissory phrase, “I will surprise you sometime, I’ll come around,” amid a swirling, sparkling, ever-rising torrent of Stratocaster.  There isn’t much to it; but it’s arresting because the same idea, the same brief, haunting, beautiful motif, is pounded into your head so many times.  That approach informs this dish as well.  Of course, the concept would be nothing without execution.  The Big Mec is executed masterfully.

The cheese is perfectly melted but still decidedly solid – it has heft and mass.  And it’s Tillamook, so it’s approachable: sharp and flavorful without being too overpowering.  The patties are stellar, massive things.  Charred on the outside, pink on the inside, irrepressibly juicy and thick.  They absorb only some of the ocean of sauce, but it’s enough to subtly change the flavor of the meat.

At bottom, this burger is about the sauces.  And really, it’s about the bordelaise.  The Russian mayonnaise is piquant, fresh, and just creamy enough, but it is utterly overshadowed by its companion.  The bordelaise at Petit Trois is made with red wine and veal stock and mounted with foie gras (usually, the mount is butter).  It is astounding.  It teeters on the boundary between boozy and acidic, like wine a few atoms away from oxidation.  But it is given shape, depth, and balance by the foie gras mount.  In the end, everything about it feels decadently intentional.  It is the most challenging, but also the most comforting, bordelaise you’ll likely ever taste.  It is smooth but also sharp, mellow but also bright.  It is also just about omnipresent in this burger…and you’ll still want more.  It also creates a beautiful, natural mash-up with the Russian mayonnaise – so natural, in fact, that the sauces feel more coextensive than cooperative.

You’ll ravenously devour this plate of food.  Your hands and teeth will drip with oxblood bordelaise and Russian mayonnaise the color of cooked salmon.  You will do violence to this burger.  The taste of the sauces will linger in your mouth long after you finish.  You will be exhausted, you will be panting.  You will look down at the plate, full to the gills, and you will ache for more.  You’ll see the pool of what’s left of the two sauces, intermixed, looking like a Woolnaugh endpaper, and you’ll wish it wasn’t over.

This is a cheeseburger.  Other things we previously might have known as cheeseburgers do not deserve the privilege of sharing a categorical identity with this dish.  It is the archetypal burger:  comforting, rich, indulgent, decadent, massive, messy, meaty, subtle, warming, unpretentious but refined, accessible, filling, and utterly delicious.

Make no mistake: This is as indispensable an eating experience as the critically acclaimed tasting menu across the wall.  If you have not yet eaten this cheeseburger, it may well be argued that you have never eaten a cheeseburger at all.  The Big Mec at Petit Trois is nothing short of a masterpiece.  Drive quickly, order quickly, but eat slowly.  After all, this will be your first cheeseburger – you should savor it.

The Ratings
Flavor: 10.00 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 8.40 / 10.00
Efficiency: 9.80 / 10.00
Creativity/Style: 8.90 / 10.00
Bun: 9.90 / 10.00
Patty: 10.00 / 10.00
Toppings: 8.70 / 10.00
Sauce: 10.00 / 10.00
Balance: 10.00 / 10.00

Total: 95.70 / 100.00

Redbird

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I think about judgment day a lot.  Call it the end of the world, or the apocalypse, or whatever you want.  I think about it.  I think about when fire and brimstone rain down heavy and hot from skies that split like the seam of a too-small blazer.  When it turns out the Old Testament was right.  When God gets sick of all our shit and exacts vengeance on us for our innumerable sins.  When we all find out that we were fools to be cynical and supercilious.  When the joke, as it happens, was on us all along.  When it doesn’t matter whether we’ve found God, because he finds us.  When it doesn’t matter what we believe.  When nothing matters but the lives we’ve led.

When that day of reckoning comes, I hope I’m sitting at Redbird with the tar-black summer sky above me, a meal settling, the cold sting of a scotch and sherry cocktail lingering on my lips, waiting for my pavlova to arrive.  That’s not because Redbird is the best restaurant in this city, or even the fanciest.  It’s not because Neal Fraser is the best chef in the city (though he must be in any conversation on the topic).  But I can’t think of a better place to face the apocalypse (leaving aside the delicious irony of being condemned to an eternity alongside Dante’s most wanted while sitting in a repurposed rectory).

See, when it all ends, I want to be somewhere beautiful, and I want to be doing something delightful.  Redbird is the most beautiful place to eat in Los Angeles.  Bar none.  It also is one of the ten best restaurants in this city.  Its décor is as eclectic as its menu, which in turn is as eclectic as Los Angeles.  Fraser presents crudo with bright wedges of citrus and an adobe-red dusting of peppery togarashi; delicate, crisped slabs of Wyoming trout; a symphonic barbecued tofu (which, by the way, is dream-hauntingly good – better even than Sang Yoon’s resplendent chicory-coffee barbecue sauce-bathed Kurobuta pork ribs at Lukshon – whether or not you like tofu).  And he presents them all with such easy familiarity that you’ll forget how weird it is to find them all on the same menu.  Just like Los Angeles, in which so many different cultures and kinds live side by side.  It’s curated chaos, but to those of us who have been fortunate enough to really come to know it, its splendor is difficult to match.  The perfect place to watch it all end.

Wednesday was not the apocalypse, so Bret and I settled for lunch at Redbird.  It’s a perfect option for those who ache for a longer intermissio from the raw grind of the work day.  Fraser offers a slightly abbreviated version of his menu, including a prix fixe for the indecisive and slightly profligate, and a burger for … well, not least for the man who writes about burgers.

The Order: Prime Burger

The Price: $18

The Burger
This might be the burger for the end times.  See, if you happen to be jonesing for a burger when the fabric of the earth falls away and reveals the roiling inferno that lies behind it all, you won’t have time to let the marrow melt, or caramelize the onions, or pull any other high-cuisine moves.  You’ll have time to throw together a few ingredients – whatever is at hand – into the last burger you’ll ever eat.  Now, having said that, it’s the last burger you’ll ever eat.  And you’ll be damned if you’ll let it be pedestrian.  Even at the end of the world, you’ll have to compromise, to balance countervailing interests.

The Prime Burger at Redbird manages that. It is spartan in an indulgent kind of way, deceptively complex, intensely flavorful but stripped of pretense and unnecessary ornamentation.  This feels like the burger chefs will make when there is no one left to cook for.  If Howard Roark spent his life behind a grill instead of a drafting table, he would have aspired to create this burger.  It is the product of passion and craft.  Every ingredient serves a purpose.  Nothing is out of place.  The fact that it’s a crowd-pleaser?  That’s merely an externality.

The patty is pure Fraser: massive, marbled, loosely packed, pink and bloody.  It might be overwhelming, I guess, were it executed with anything less than perfect mastery.  But this is Neal Fraser, so it’s executed with nothing less than perfect mastery.  The remoulade is piquant, tart, and generously portioned (and why not?  You’ll want an extra scoop of sauce when the apocalypse is impending).  This sauce is a beautiful, rich, indulgent complement to the sumptuous, almost buttery, beef.  Aged cheddar drips like sap, so slowly that it forms an amorphous tendon that seems to connect patty to plate.  It’s creamy and thick, with a distant whispering sharpness.  There is a chile relish that adds a smoky sweetness (but almost no heat), and extra pickles to add more zip if you want them.

The bun is the burger’s weakest part.  A too-dry, too-thick brioche, it tasted a day old and was a bit too imposing for this burger.  The dryness of the thing wasn’t helped by the fact that it was flaked with sea salt.  It’s a noticeable imperfection, but the rest of the flavors are bold enough to compensate for it.  In the end, the burger hangs together impressively well in spite of a disappointing bun.  Besides, when judgment day comes, you probably won’t be too picky about the bun on your burger.

In case it isn’t abundantly clear, I liked this burger very much.  It’s big and brash, but is ultimately memorable for its relative simplicity.  It’s a really well-prepared, thoughtful offering.  It manages to achieve simultaneously simplicity and complexity, boldness and subtlety, immediacy and depth.  It’s a great burger.  Don’t wait until the end of the world to try it.

The Ratings
Flavor: 9.30 / 10.00
Freshness/Quality: 10.00 / 10.00
Value: 7.90 / 10.00
Efficiency: 8.70 / 10.00
Creativity/Style: 8.30 / 10.00
Bun: 6.80 / 10.00
Patty: 10.00 / 10.00
Toppings: 9.00 / 10.00
Sauce: 8.90 / 10.00
Balance: 9.30 / 10.00

Total: 88.20 / 100.00

LABP x PHL: Village Whiskey

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It is conceivable that, if there is a heaven, it resembles Village Whiskey.

I’m hesitant to wax theological here; that’s a horrendously fraught enterprise, and I doubt many of you would like what I had to say. To be clear, though, I’m not saying Village Whiskey is necessarily a perfect place. But it does have a lot of the trappings of a perfect place: a robust, whiskey-focused drink selection; a menu composed by a talented chef, José Garces (the centerpiece of which is a burger); and a vibrant, friendly atmosphere that is the perfect complement to good company. And milkshakes. It’s hard to imagine heaven without milkshakes.

This is a restaurant that is proud of its burger. I went with Kevin, Rumi, and Alexis to see if that pride is misplaced. It was a busy evening: I took selfies with two random girls for them to send to their friends on Snapchat. Alexis broke a glass in rage because she drinks slowly. And between the two of them, Kevin and Rumi can’t match my check-paying skills and sneakiness. And we ate.

The Place
Village Whiskey
118 South 20th Street
Philadelphia, PA 19103

The Order: Village Burger, medium rare, with cheddar, bacon, avocado, and caramelized onions

The Price: $22.50 ($13 base; $2.50 for cheddar, $3.00 for bacon, $2.50 for avocado, $1.50 for caramelized onions)

The Burger
The patty is eight ounces of farm-raised Maine Angus beef, impressively juicy and roughly packed into a small puck. It’s got the hallmark structural imperfection and asymmetry of a patty that was assembled by hand. The cheddar forms a nutty glaze over the top of the beef, bleeding over the sides and into the natural crannies in the patty. The patty is balanced atop thin blades of avocado. Beams of bacon shoot out the sides of the burger like exposed girders. Anchoring it all is a slice of tomato and a couple leaves of Bibb lettuce and a thin drizzle of Thousand Island.

The customizable burger is a tricky endeavor, and it’s hard to know how to evaluate it. After all, it leaves a lot in the hands of the consumer (and therefore, out of the hands of the chef). On the other hand, it places the onus on the restaurant to provide a burger of consistent quality no matter what ingredients they’re given. Oftentimes, diners don’t know how to thoughtfully assemble ingredients and instead opt to just choose a bunch of stuff they like. By offering a relatively diverse and challenging selection of additions, Village Whiskey places a lot of trust in their customers and their kitchen staff to make everything work.

It’s nice that as a fallback, the default garnishes are limited and fresh, the Thousand Island is unobtrusive and a mostly textural element, and the beef is very precisely cooked. This sets up a strong foundation upon which the other ingredients can interact more comfortably. My selection was relatively uncomplicated, with the bacon-avocado combination doing the heavy lifting. The smokiness of the bacon was mellowed nicely by the creamy avocado. Lurking under it all, the caramelized onions were sweet and tangy, harmonizing nicely with the Thousand Island.

So yes, this is a well-balanced burger, and it’s also pretty big — but you pay for it. At $22.50, it’s one of the most expensive burgers I’ve yet eaten. Candidly, it doesn’t completely live up to its price tag, but it’s still pretty good and really satisfying (I came medium hungry and didn’t even come close to finishing this monster). And as expensive as it is, I’d recommend it. My advice: round out the experience with some duck fat fries and a whiskey cocktail (or two), then finish with a vanilla bourbon milkshake. It’ll run you quite a few bucks, but you’ll leave full, happy, and maybe even a little buzzed.

The Ratings
Flavor: 9.30 / 10.00
Freshness/Quality: 9.50 / 10.00
Value: 7.00 / 10.00
Efficiency: 7.50 / 10.00
Creativity/Style: 8.80 / 10.00
Bun: 8.90  /10.00
Patty: 9.40 / 10.00
Toppings: 9.10 / 10.00
Sauce: 8.20 / 10.00
Balance: 9.20 / 10.00

Total: 86.90 / 100.00

The Bowery

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In the age of Amazon and ATMs and self-checkout groceries, there is something to be said for good, old-fashioned customer service: a quick smile and a pleasant conversation is a depressingly cherished rarity in this day and age. Don’t get me wrong; I like Amazon Prime as much as the next guy – dat free two-day shipping doe – but it’s nice to be reminded that the old, human-centric way of doing things is still around.

I have similar feelings about the Los Angeles food scene. It’s nice to see young chefs bucking convention and innovating so bravely. Restaurants like Neal Fraser’s Redbird, Ari Taymor’s Alma, Chris Jacobson’s Girasol, and Kris Tominaga’s Cadet – just to name a few – confidently offer brave, inventive, challenging dishes. Parenthetically, you should check out all of those restaurants. This innovation is at the heart of the redefinition of cuisine in Los Angeles. But sometimes, in the midst of this new culinary renaissance of ours, it’s nice to go somewhere that reassures you that some people still have the capacity to make something beautiful out of the conventional.

The Bowery is such a place. Kevin, Shanil, and I have been going here for years. We usually pair it with a run to Amoeba Records. It’s been a tradition of ours; we do it any time the three of us are in town together. Today, we took Rumi along for the ride. When we arrived around 3 pm and found the door locked, we got emotional. It turns out, The Bowery doesn’t open on Sundays until 4 pm. Because of course it doesn’t. Anyway. We went to Amoeba and then came back at 4, hangry as all hell, for a long-overdue burger.

The Place
The Bowery
6268 Sunset Boulevard
Los Angeles, CA 90028

The Order: Bowery Burger (with cheddar cheese, bacon, avocado, sauteed mushrooms, and jalapeño)

The Price: $14 ($10 base, $1 per topping) before tax

The Burger
The Bowery is nestled in the heart of Hollywood – pretty much right at Sunset and Vine – which means you have to navigate hordes of some of the most aggressive hipsters on the face of planet earth to get there. Seriously, there was a lot of side boob (cool it with that shit, ladies). And ironic facial hair. And girls in wide-brim fedoras and circular-framed sunglasses. And frowning. It’s a stone’s throw from Amoeba Records, where – in a desperate gambit in my ongoing (and eminently unsuccessful) campaign to be hip – I bought the new Jamie xx record, to which, I quickly realized, I’m not cool enough to listen.

The Bowery holds itself out as a New York-inspired gastropub, which means it’s small, everything is written on chalkboards, and everyone wears all black. Thankfully, that’s where the similarities to New York end: The weather outside isn’t a disaster (i.e. hot and sticky or oppressively freezing), you won’t get yelled at for crossing the street, there are way fewer finance douche-bros, it doesn’t smell like sweat and trash in the streets, and my ex-girlfriend is nowhere to be found. I’m especially thankful for one of those things.

Anyway. The Bowery’s purported claim to fame is its burger. The weird thing about it, though, is that the composition of that burger is largely up to the diner. More on that in a second; first, let’s talk about the constants. The most noteworthy aspect of this burger is that it is served on an English muffin in lieu of a conventional bun. The muffin is toasted perfectly, the rim delicately blackened, the heart crisp but still fluffy. That toasting prevents the muffin from getting soaked through, but it is not so severe as to savage away the flavor of the muffin itself. The patty is between six and eight ounces of grass-fed beef, cooked to a sumptuous, dripping medium rare.

Besides that, the identity of this burger is largely dependent upon consumer caprice. The Bowery offers a choice of cheeses – blue, herbed goat, gruyere, American, and cheddar – toppings, for a dollar each – red onion confit, caramelized onions, onion rings, sautéed mushrooms, roast garlic, avocado, bacon, fried egg, roasted jalapeño – and sauces – spicy hickory barbecue, ranch, or aioli.

So there is a versatility here; the burger can mold to your mood and preferences. In many ways, it will be what you want it to be. But that arguably cuts both ways: if you aren’t sure what you want, it can be a little overwhelming. This problem, of course, is easily solved; you should only come to The Bowery if you have at least a vague idea of what you want.

But let’s be clear: There is no wrong answer here. All four of us got different burgers, and all four of us a) cleaned our plates with lustful relish, and b) were totally satisfied that we had made the best possible choice. My burger was topped with bacon, avocado, sautéed mushrooms, roasted jalapeño, and spicy hickory barbecue sauce.

No fewer than four strips of bacon, thick cut and fried to a snapping crisp, were wavy and perfectly fried.The avocado, soft and ripe, was cut into thin slivers connected at the bottom and spread like a Chinese fan. The intense flavor of the horde of mushrooms anchored the profile of the burger, complementing the beef gorgeously. The roasted jalapeño was delicately hot, bringing a subtle flavorful undertone and an enchanting, creeping spice to the finish of each bite. The sauce was sweet but sassy; it had the gentlest kick, and paired especially well with the jalapeño and bacon.

The remarkable thing about this place is that, whatever assortment of toppings you choose, the burger you get will be perfectly balanced. They have chosen their ingredient selections like a well-planned wardrobe; everything matches everything else. They are masters of proportion; they know how the ingredients operate in context, and so they know how to assemble them in any combination. That said, getting that perfect arrangement of toppings may cost you: at a buck each, they really can make this burger a pretty expensive experience.

Now, my borderline-cannibalistic hunger may have had something to do with it, and it may be averred that my objectivity is buckling under the weight of tradition. But conspiracy theories aside, this is a damn good meal. The Bowery claims to have the best burger in Los Angeles, and I can tell you: it’s not a ridiculous claim.

The Ratings
Flavor: 9.40 / 10.00
Freshness/Quality: 9.50 / 10.00
Value: 7.90 / 10.00
Efficiency: 8.40 / 10.00
Creativity/Style: 9.30 / 10.00
Bun: 9.40 / 10.00
Patty: 9.50 / 10.00
Toppings: 9.80 / 10.00
Sauce: 8.80 / 10.00
Balance: 9.90 / 10.00

Total: 91.90 / 100.00

The Flintridge Proper

IMG_3237When Courtney texted me today and asked me if I wanted to go to Flintridge Proper to help her put off packing for a bit (she’s moving to Pasadena, the genius), I thought it would just be a good opportunity to hang out with her, grab a drink, and unwind after a long (half) week of studying. Little did I know, it would bring out the most judgmental iterations of both of us. Out of consideration for her (and okay fine, myself), I’ll refrain from relating many of our reactions to the people around us at The Proper. Instead, I’ll limit my discussion to their excellent burger.

About an hour later, Courtney and I were sitting in the lounge area at Flintridge Proper, backs to the window on a long leather bench, looking across at chairs upholstered in some unidentifiable dusty tangerine colored fabric, and in the midst of a pretty interesting group of people.

To our left: the late-thirties couples clinging desperately to the gasping remnants of their social lives. One couple brought their kid, a blonde thing, creepier than he was cute. The men, clad in pre-torn jeans and sporting goatees that haven’t been okay since 1993, spoke far too loudly about nothing in particular. The women gulped sauvignon blanc with the obvious relish of the exhausted La Cañada working mom.

To our right, an Asian-American couple with their two children (whose penchant for straddling one another really creeped Courtney and me out). They were a pair of holy terrors, two boys who had brought half their toy box and all of their insane, high-volume energy. When they weren’t busy breaking glasses and crowing like roosters (I swear to you, none of that is lies), they were running barefoot back and forth on the seat of the booth, while their father straightened his fedora and drained his martini.

Faced with this scene, we ordered some stiff cocktails (who wouldn’t?), settled in for a long couple hours, and split a burger.

The Place
The Flintridge Proper
464 Foothill Boulevard
La Cañada Flintridge, CA 91011

The Order: Proper Burger with added bacon and avocado

The Price: $20 (before tax)

The Burger
Given our surroundings, this burger must have been pretty damn good, because I left The Proper wondering when I could come back and eat it again.

Honestly, the burger is kind of a basic bitch, but it’s really emblematic of the modern trend: an upscaled (and yeah, absurdly expensive) iteration of a familiar classic. This is not a hamburger restaurant. It’s a bar that happens to serve a hamburger. And that’s important to bear in mind; this certainly is not a place that advertises itself as a hamburger place (like, say, Cassell’s, despite the fact that the culinary philosophy behind their respective burgers is similar in some ways).

By now, you’re almost certainly wondering what drove me to call a cheeseburger a “basic bitch.” Well, let’s just say this: it’s the perfect burger to eat the week of the Fourth of July. In a lot of ways, it’s a classic American burger: The patty is a monster – half a pound of sizzling beef blanketed with sweet, bubbly housemade American cheese (The Proper makes a lot of things in house: cheese, gin, bitters, ginger beer – it’s quite something, if you’re into that sort of thing, which, well yeah, I totally am). There’s cool shards of shredded lettuce and (utterly outstanding) Thousand Island. Then there’s succulent, curly bacon, crisp and crimson at the center, the edges fried to a peppery black, embedded in slender, silken half-moons of avocado. The bun was a golden brioche, rich but not heavy, sweet but not overpowering.

Give me a second here to gush about that thin, piquant glaze of Thousand Island on the top brioche bun. I’m not at all sure what went into this. It was present without being unobtrusive. Smooth but not runny. Tangy, but with enough creamy bitterness to give it some distinctive personality. Like I said, I don’t know what the hell went into this stuff, but I wanted more of it. As subtle as it was, it was a highlight of this already very excellent burger.

If I’m complaining about something, it’ll be price. This is a $20 burger. I don’t remember the last time I’ve spent that much on a burger. But, if I’m being frank, I honestly don’t much care. While I won’t say that it’s unequivocally worth $20, I can say that I don’t feel all that terrible about spending that money. Maybe the best way to put it is this: I will be back to The Proper for another burger. Hopefully without the side order of noisy toddlers.

The Ratings
Flavor: 9.40 / 10.00
Freshness/Quality: 9.00 / 10.00
Value: 7.90 / 10.00
Efficiency: 9.10 / 10.00
Creativity/Style: 7.50 / 10.00
Bun: 8.90 / 10.00
Patty: 9.20 / 10.00
Toppings: 9.00 / 10.00
Sauce: 9.30 / 10.00
Balance: 9.40 / 10.00

Total: 88.70 / 100.00

The Independence

IMG_3209There are a few major gripes people have with Santa Monica. First, parking is hell. Second, it’s not really close or on the way to anything (except, like, Malibu). And third, when you go out, you kind of find yourself running into the same kind of person over and over again. Like, I get it. You went to [insert Pac-12 school here], and were in [insert Greek organization here]. Yeah, no, I’m sure it was an awesome experience. And yeah, that’s a sweet button down. It definitely looks better on you than it did on the last three guys I saw it on. In this bar. Sure, I’ll wait here while you go talk to that girl. Yeah, no, I’m sure you “crush all kinds of ass.”

Okay. Maybe I’m getting a little bitchy. But prides of snowflake-unique bros and lady-bros aside, no one should be heard to say Santa Monica’s food scene isn’t absolutely killer (and also in the process of exploding), because it totally, totally is. Even if burgers aren’t your thing, you can go have some southern-kissed French food at Kris Tominaga’s up-and-comer Cadet (get the rabbit and thank me later). Go to aestus and learn why all the patrons at the Royce miss Alex Ageneau. Or go to what is now an old standard, Rustic Canyon, and be assured that yeah, Jeremy Fox still has it. Or just go to Sidecar Donuts (soon, my little ones…soon) and reflect – with warming self-satisfaction – that everyone waiting in line at Dunkin’ Donuts is as idiotic as they seem. And then eat some fried dough and forget what you were thinking about.

That brings me to The Independence. It’s a trendy new spot in Santa Monica. Located at the corner of Broadway and Second (right where the incalculably sacrilegiously monikered Buddha’s Belly used to be – good riddance), it’s a sprawling, modern restaurant-bar with all the touches one would expect of a spot this hip – one wall is plastered with violently colorful murals, and another consists entirely of windows. It’s bright and fresh, and just trendy enough to make you feel cool but not out of place. Vibe aside, it’s got plenty of culinary cred; Tom Block manages the menu (you might recognize the name; he was the creative nucleus over at BLT Steak too).

As new on the block as The Independence is, the burger has already generated considerable buzz. So obviously, I was drawn there like a carnivorous moth to a delicious, umami flame. Tessa, Alexandra, and Julia made me look really good while I ate it. Which reminds me: if this review seems a little less detailed than usual, it’s because I was really busy being mortified at the terrifying, occasionally scatalogical text messages Julia and Tessa sent from my phone. Don’t ask. It’s personal.

Anyway. Where was I? Oh yeah, the burger.

The Place
The Independence
205 Broadway
Santa Monica, CA 90401

The Order: Angus Burger, medium rare

The Price: $16 (before tax)

The Burger
At the risk of being way, way, way too meta, the burger here kind of reminds me of the guys in Santa Monica that I was bitching about earlier. It was an imitation of something else. At its core, it lacked identity. For a restaurant called The Independence, I was stunned by how much this burger seemed to be trying to emulate one of its Santa Monica counterparts (rivals?). Of course, that’s not an indictment in and of itself. Imitation isn’t necessarily a bad thing. I love it, for instance, when H&M imitates my favorite designers for a fraction of the cost. Or when LL Cool J imitates a naval criminal investigator. Or when Demi Lovato imitates a musician. Okay, so I actually only like one of those things.

Sorry. Got a little sidetracked there. I was talking about the imitation game that The Independence play with their burger. It’s not a photocopy, by any stretch, but the inspiration of Father’s Office is clearly present in this burger.

Background for the unschooled: Father’s Office is the most famous burger in Santa Monica (and Culver City, for that matter). The citizens of that fine town will cite that burger as one of the crowning virtues of their city. Father’s Office, they will assure you, is the best burger in Los Angeles. Who cares that it’s cramped? Who cares that there is no actual wait staff? Who cares that you have to hover around people’s tables like hyenas waiting to steal fresh kills? Not Santa Monicans (Santa Monica-ites? Santa Monicansans?). They will stand by that little shop on Montana so fervently that they won’t even go to the one in Culver City (which, parenthetically, is way bigger and way less frustrating and way easier to navigate and also identical from a quality standpoint).

Suffice it to say, it’s hard to blame them. But this isn’t a review of Father’s Office. The point is, it shouldn’t come as a surprise that the new kid on the block (which is funny, because Tom Block…get it?…never mind) is trying to get a foothold by way of imitation. Like I said before, this is no culinary Xerox; there are enough differences between this burger and the one at Father’s Office that no one could accuse The Independence of straight-up pilfering someone else’s idea. But the inspiration is clear. It’s kind of like when bands put stickers on the cover of their record saying, “If you love [insert impossibly popular band here], you’ll love this!” They wrote their own songs, sure, but they stepped into the stylistic shoes of another artist. This burger clearly was designed in the tall shadow of the Office Burger.

Okay, I think I’ve established where I think they were coming from in conceiving this burger, so let’s talk about the burger itself now. There is complex, nutty gruyere delicquesced atop (not within) the harshly charred Angus patty. A coppice of bitter arugula sits in a thick bed beneath the beef, concealing a den of slithering French onions. The bottom onion bun is coated with what they call an herb aioli (but which, really, is pretty much just mayonnaise).

The flavor profile of this burger is odd. It hits hard with bitterness on the front end. The sharp cut of the arugula dominates early, and bleeds into the harsh grill-char of the patty. That bitterness gives way not to the soothing nuttiness of the gruyere, but rather to the sharp, soupy onions. Whatever complexity (not very much) is in the aioli is lost behind that dominantly bitter front-end. The cheese and interior of the patty save the finish; earthy gruyere melting into the tender, juicy Angus. The burger leaves the palate much more gracefully than it enters. The finish was good enough to make me forget that harsh introduction and keep on eating.

Holding everything together was that onion bun, which was an interesting choice given the flavors at work in the burger itself. While I’m all for using non-traditional buns, I don’t know if I back this choice. I think a chalky ciabatta would have neutralized things well. A brioche would have been even better, offering a complementary buttery sweetness that was conspicuously absent from this burger’s flavor profile. The onion bun, though moist, was kind of redundant from a gustatory standpoint. It was a dim echo of the bold French onions that were so present. In one sense, you could make the case that it was consistent with the rest of what was happening in the burger. I don’t really see that as a virtue, though. It didn’t add anything, even though it really could have.

This burger skewed too far toward the brash, bitter end of things. It lacked balance. It’s a rare example of a situation in which the execution actually was superior to the conception. The idea was brought to fruition pretty much perfectly…it just wasn’t a very good idea. It did too much of the same thing – here’s something bitter, then here’s another thing that’s bitter, and then here’s something that’s sharp but not acidic enough to complement the bitterness. Then cheese.

To the extent that The Independence is seeking to emulate Father’s Office, they aren’t doing a bang-up job. They’re incorporating some of the same stuff (gruyere, arugula, beef), but they don’t seem to realize that those are dangerous tools to work with (okay, maybe not the beef), tools that require judicious balancing and careful maintenance. The Office Burger isn’t good because of the ingredients; it’s good because the ingredients are well-harmonized and purposefully proportioned. That wasn’t the case with this burger. This burger felt like someone ate Father’s Office and said, “Yes, that’s good and seems easy; I too will use those ingredients and make money.” Sadly, it’s not easy. The Independence would have been well-served to live up to their name a little bit more. They’re losing the imitation game.

The Ratings
Flavor: 7.90 / 10.00
Freshness/Quality: 8.70 / 10.00
Value: 5.80 / 10.00
Efficiency: 9.00 / 10.00
Creativity/Style: 7.10 / 10.00
Bun: 7.30 / 10.00
Patty: 8.00 / 10.00
Toppings: 7.70 / 10.00
Sauce: 7.40 / 10.00
Balance: 7.60 / 10.00

Total: 76.50 / 100.00

The Tasting Kitchen

IMG_3169The Tasting Kitchen is a Venice mainstay. It’s grown up from its humble beginnings of handwritten menus and a perennially exhausted but always good-natured staff. It bears mentioning at the outset that while a lot of things have changed (for the better, I might add) about Casey Lane’s shop, the service remains absolutely top-notch. Our experience was pretty fantastic (except for an awkward incident with a waiter getting a little snappy with a busboy within earshot of our table).

ANYWAY. The Tasting Kitchen probably is best-known (aptly) for its tasting menu, but its burger has been a quiet staple on the menu for a while now, and I felt compelled to investigate. Rob and I went there on a bro-date, and when we weren’t too busy falling embarrassingly in love with one of the servers there, we ate the burger.

The Place
The Tasting Kitchen
1633 Abbot Kinney Boulevard
Venice, CA 90291

The Order: BCC Burger (braised bacon, chile chutney, cheddar), French Fries, Japanese Goldrush (Nikka Malt, lemon, honey).

The Price: $17 for the burger and fries. $16 for the cocktail.

The Burger
The Tasting Kitchen’s bill of fare features a diverse array of dishes, running the gamut from traditional (they do a pretty straightforward, slow-hot bucatini all’amatriciana) to more adventurous (grill-charred octopus with earthy Roman beans and brash ‘nduja). Their burger would probably best be characterized as non-traditional. It eschews the conventional toppings in favor of a more minimal approach, but each topping seems to be tailored to bring maximal flavor. Besides the cheese and the (substantial) patty, there are only two things between the rustic buns: a thick, all-business slab of braised bacon and a roasted chile chutney. An unobtrusive aioli was served on the side.

After a little bit of a wait to get things started, there wasn’t much time between courses. The burger came out just after our appetizers had settled. The meat was of obvious quality, and was well-prepped for cooking. The patty was thick and juicy. My main complaint is similar to the one I expressed about the patty on the griddled cheeseburger at Ledlow: it was way undercooked. The meat was essentially rare, and with a patty of that size, two problems result. First, the bottom bun got soaked through – especially since it was much thinner than its counterpart on top. Second, being so undercooked, the meat didn’t cohere well, and the patty kind of fell apart on us while we ate. It tasted good enough, but it wasn’t easy to eat.

The chile chutney was a brave addition, and was given serious prominence. It was smoky and rich, but without a lot of other flavors to complement it, it sort of stuck out. Out there on its own, with nothing to blunt its fierce roasted boldness, it was sort of a lonely renegade on the burger’s flavor profile. The braised bacon, however, was a masterstroke. It was a thick slab of pig, salty and rich, but gorgeously marbled and decadent. It didn’t blend particularly well with the chiles, unfortunately. Had the chutney been a little sweeter (like one customarily would expect chutney to be), it would have played beautifully off the flavor of the bacon. As it was, the burger featured two toppings – one fine, one fabulous – that didn’t quite mesh together. Adding the aioli didn’t achieve much. It cut the richness of the bacon a bit, and didn’t blend particularly well with the chutney. Frankly, the sauce didn’t seem tailor-made for the burger. It went better with the French fries (which, for the record, were stellar).

The bun was great. It evoked a sourdough, being far less eggy than a brioche. The bottom bun was a little thin, which drew extra attention to the fact that the patty was undercooked. Saturated with juices and blood from the beef, it quickly got soggy and flimsy, like wet paper, and lost a lot of its delightful texture. It was a shame, because it was, on its own, quite a wonderfully-crafted bun.

Much like the restaurant itself, the burger featured a wide variety of flavors coexisting side-by-side. That’s cool, but it’s also kind of the problem with the dish. The ingredients didn’t come together in such a way that the whole was greater than the sum of its parts. The BCC burger presents a few different textures and tastes, but the union doesn’t feel necessary or inevitable. It’s far from conventional, but that alone didn’t make it unforgettable.

The Ratings
Flavor: 7.80 / 10.00
Freshness/Quality: 8.90 / 10.00
Value: 6.00 / 10.00
Efficiency: 8.50 / 10.00
Creativity/Style: 9.00 / 10.00
Bun: 8.90 / 10.00
Patty: 7.90 / 10.00
Toppings: 8.40 / 10.00
Sauce: 7.50 / 10.00
Balance: 7.90 / 10.00

Total: 80.80 / 100.00

Ledlow

Displaying IMG_3154.JPGJosef Centeno rightly has become kind of a local celebrity in Downtown Los Angeles. Over the past few years, he has been opening new restaurants at a furious pace, and has established himself as the preeminent culinary personality in the neighborhood. Between Main and Los Angeles, 4th Street essentially belongs to him. The fantastic young trio of Bäco Mercat, Bar Amá, and Orsa & Winston is deservedly beloved by critic and consumer alike – GQ’s Alan Richman hailed Bäco Mercat as the ninth-best restaurant in America in 2013.

Ledlow is the newest addition to the group. It offers American small-plate fare that emphasizes simplicity, preparation, and ingredient quality. They offer gently modernized iterations of familiar dishes – their deviled eggs and Tasso ham is among their most popular dishes; it takes the workhorse ham and eggs and softens the edges with tarragon and cornichon. THis place has already generated enormous buzz – including a coveted review from Jonathan Gold, and it’s easy to see why. The small plates are simple, fresh, beautifully prepared, balanced, flavorful, and just complex enough to be interesting without getting too zany.

The cheeseburger is one of the most popular items on the menu. My companion Shannon and I put it to the test.

The Place
Ledlow
400 South Main Street
Los Angeles, CA 90013

The Order: Griddled Cheeseburger and Fries (single), Rye Smile (rye, lemon, maraschino, ginger, soda)

The Price: $14 (excluding tax) for the burger, $12 (excluding tax) for the cocktail.

The Burger
The burger is pretty consistent with Ledlow’s governing philosophy. Rather than challenging the eater by piling on surprising ingredients, Ledlow’s attempts to offer the most sophisticated version of a classic dish. As such, the changes to the traditional diner cheeseburger are, at least nominally, minimal. In a quietly irreverent move, a poppy seed bun replaces the traditional sesame seed bun. Cheddar and American cheeses are melted together on the patty. A Dijon and garlic aioli is the lone condiment. Besides that, only lettuce, pickle, and red onions accompany one four-ounce patty (for an extra $2, diners can get an extra four-ounce patty; an extra $4 will get you a triple).

Sadly, Ledlow’s offering is much better in theory than in practice. While the conception is just fine, the execution was sloppy. When the burger finally did come out (and it took some time), we were disappointed to find the ingredients were unbalanced and the burger did not hang together well. A single, fiercely curling (and maddeningly isosceles) triangle of lettuce was almost exclusively on one side of the burger. Though crisp and fresh, it was too present on one half of the burger, and barely there on the other.

Ledlow’s menu expressly says they prepare their burgers “cooked through.” This begs the question of what constitutes “rare” there, considering our burger was red – not pink – on the inside. While there certainly is nothing wrong with rare meat in general, beef as rare as this is difficult to justify in a burger. The bun was also problematic: it was dry and grainy in the middle, and soggy where it met the contents of the burger.

This burger’s fatal flaw, however, was balance. The assembly of the burger highlighted all of its flaws. The ingredients all fought to get to the front of the flavor profile rather than complementing one another. In the end, the onions and the aioli won out (to the detriment of the burger). They completely dominated the burger; every bite was totally overrun by the sharpness of the onions and Dijon on the front-end, which gave way to a garlicky finish.

Sadly, this really ended up masking some of the burger’s virtues. For instance, even though the golden alloy of cheeses was a subtle touch that really actually did add some complexity and dimension, it was essentially impossible to taste in the midst of the nuclear winter of aioli and onion. Moreover, we couldn’t discern how (or even if) the patty was seasoned (the fact that it was way undercooked likely didn’t help, since the overabundance of juices masked whatever gasping residue of seasoning survived the gustatory onslaught of the onions and sauce).

There are a couple of potential fixes here (I’m not sure how accommodating the restaurant would be of requests like these or how effective they might be, but it certainly is worth a shot). Most obvious would be to order the aioli on the side, and remove a few of the onions prior to diving in. Next, ask for your burger to be cooked medium to medium-well. If they tell you the burger will be cooked through, ask them to go a even shade further on the well-done end than they normally would. Finally, the burger comes with a little tub of ketchup for the French fries (which, parenthetically, were delicious). Add a little. The burger’s flavor profile would have benefited a lot from the sweetness that ketchup imparts. It might have blunted the harsh front-end flavors that made the burger tough to enjoy.

I would be remiss if I didn’t say that the other food Shannon and I had while at Ledlow was delicious. Creamy deviled eggs wedded beautifully with indulgent strips of leathery Tasso ham and misty tarragon, all anchored by perfectly proportioned potatoes, which added just enough starch to keep the dish grounded. It was easy to see why this is another of Ledlow’s signature dishes. Their vegetable crudités also looked stunning, a long piece of wood bearing various and sundry fruits and vegetables – some raw and some sumptuously grill-blackened. The dishes here are brave for their simplicity. It is all about preparation and quality here. When Ledlow hits, it hits hard and memorably. Unfortunately, the burger was simply disappointing.

The Ratings
Flavor: 6.50 / 10.00
Freshness/Quality: 8.10 / 10.00
Value: 6.00 / 10.00
Efficiency: 4.50 / 10.00
Creativity/Style: 6.40 / 10.00
Bun: 6.50 / 10.00
Patty: 7.70 / 10.00
Toppings: 7.70 / 10.00
Sauce: 5.60 / 10.00
Balance: 5.00 / 10.00

Total: 64.00 / 100.00